 Up until now we haven’t posted much about using YouTube, Instagram and TikTok for book marketing. It isn’t because they aren’t any good for marketing. In fact, just the opposite. Those platforms are as good, if not better, than Facebook or X for selling your books. No, the reason we haven’t posted about them before is that you have to think about how you use them in a different way from other social media. Because of that we’ve been trying out different approaches of our own to see what works – and what doesn’t. Just posting an image of your book cover isn’t going to sell your book on those 3 channels. Not even making a book trailer featuring your book is going to work.  The reason why is that those 3 marketing channels work on the basis of personal interaction. What do we mean by that? After all, it is someone talking on a video. How can anyone interact with that? Well, they interact on a psychological level. The viewer sees the person in the video talking directly to them and to no one else. The video speaks to them personally. Now, there are a number of techniques that the people in the videos use and they vary according to what is being sold. I’ll illustrate what I mean with some examples.  Let’s start with the “influencers”. These people make a lot of money because they sell products on behalf of brands. But they never use the word “sell”, or “buy” or make any other reference to commercial transactions. I’ll use a stereotypical influencer to illustrate: the make-up demonstrator. They open with a line such as “I want to show you this great new lipstick (or whatever) I’ve just discovered.” Of course, their tone of voice is excited. This lipstick is so great they can’t contain their excitement about it. Which gets the viewer excited because excitement is contagious. Straight away the viewer is interested because the influencer is letting them in on their new discovery, not trying to sell them the lipstick (even though they are). They are sharing a secret with them. Those are very intimate acts, and we respond to them at an emotional level. They then demonstrate their use of the lipstick, which makes them look fabulous of course, and the viewers want to look just like the influencer, so they buy the product. The influencer may not even mention where the viewer can buy the product. They’ll show them the brand name, of course, but then they’ll leave it up to the viewer to follow-up because that way they won’t feel pressured into buying. The technique isn’t new. Product demonstrators have been around almost as long as products, but in the past they were standing in front of you rather than appearing in videos on-line.  Next we have the musicians. Their technique is different. They’ll start by saying something like “This is my latest song which I want to share with you.” Again, you are being drawn into an inner circle of intimacy. They then sing a verse and a chorus. If you like the song, you then have to either buy it to hear the rest or add it to a playlist. Either way, the musician sells their music without actually selling it.  Then we have the comedians. They post video clips of their act. They make you laugh, so when they announce their next gig or their next tour, you want to go along and see them, so you buy tickets. That is more of a delayed reaction, but it means more ticket sales than if they hadn’t posted the clip. So, three different techniques for three different types of product. There are other types, but those serve my purpose in illustrating how the channels are used in different ways.  Now, how do you adapt this to suit your product – a book? With YouTube you can adopt the same technique as a musician and read an extract from your book. You don’t have to show your face if you don’t want to but setting the scene is important; use the camera to act as the viewers' eyes, perhaps finding the book on the arm of a comfy chair and settling down to read it. The voiceover then reads the extract, which you can do yourself It will probably take you a few goes to get the sort of image you want, but it will work. Put an “end board” on the video saying where it can be bought and provide a link in the video’s description along with the blurb and some suitable hashtags. If you use Canva or BookBrush (or similar packages) you can make videos of someone reading an extract. For example, if your book is set at sea you can uses a video of a seascape with you reading the extract as the soundtrack. Then promote the heck out of the video on your other social media.  Instagram and TikTok aren’t so well suited for readings. Their users have short attention spans. Anything longer than a minute probably isn’t going to be watched to the end. And anything that isn’t eye catching isn’t going to be watched at all. The first 5 seconds of the video is crucial to grabbing the viewer’s attention. This is where you have to project your personality as an author. If you try to pitch your book, you won’t sell anything. You have to pitch the idea of books in general and then mention your own books in passing. A popular style in recent months has been “Five books I wish I could discover all over again”. You don’t have to show your face, you just have to show the book covers and maybe your hands flicking through the pages. And, of course, you have to talk about why the books mean so much to you. Then you segue into how those books inspired you to write your own book, a copy of which you also happen to have in camera shot. You can talk about your own books, but you have to put a new twist on it.  People love stories. People, especially those that read books, love stories, so use that to your advantage. One of our authors laid out his books on a table then said that not only did the books tell a story, they each had a story of their own, which was how they came to be written. He then made a separate video for each one and told the story of how he had been inspired to write it, into which he wound some of the book’s plot and characters. And it worked. Each video sold copies of the book he was talking about. But he never actually talked about the book in the way he would have in a written blurb. I would recommend going onto TikTok and Instagram and using the hashtags #Booktok and #bookstagram to see what other authors are doing on there. If your favourite authors have TikTok or Instagram accounts, see what sorts of content they post to promote their work. Remember, imitation is the sincerest form of flattery. Identify the sorts of videos that make you feel good about the author and their products, not the ones that are trying to pitch books directly to you. Emulate the former, not the latter.  Unlike X or Facebook, these channels aren’t about how many followers you have. Your videos will be shown to users based on what they like to see, so it doesn’t matter if they follow you or not. If they are using any of the hashtags that relate to books or reading, there’s a good chance your video will be shown to them if you have used related hashtags, including genre hashtags Of course, if they follow you that’s a bonus, because it means they will definitely see your videos in the future. But that isn’t as important as it would be on X or Facebook. Once again we must add a “health warning” that using YouTube, Instagram and TikTok isn’t going to turn you into a best selling author overnight. But they can add additional strings to your marketing bow. Experiment and have fun. You have nothing to lose except for a bit of time.  Just a few tips for you. Make sure that any book titles haven’t become reversed during the recording process. I recently watched some TikTok videos by an author I follow and in a couple of them her book titles appeared as “mirror images”. This is a common problem when using the camera in “selfie” mode and holding the book up in front of your face (try it if you don’t believe me). If you have friends who read your books, ask them to do video reviews for you on TikTok or Instagram, making sure they use suitable hashtags, including your author name. Vary your styles and themes. If all the videos you post look the same or sound the same, people will lose interest.  Be patient (yes, that old one again). If you are just starting out on these channels it will take time for people to find you and to share your videos. But they will if you give them long enough.
Post as frequently as possible. Yes, it’s a big time commitment to keep on making new videos, but anything worth doing is worth investing the time into doing it. Use "dead time" to make videos, eg when commuting, coffee breaks, lunchtime etc. For those of you who have never used these platforms, here are some links to helpful videos on how to use TikTok. Most of what they say can be applied to YouTube and Instagram too. TikTok Beginner’s Guide https://www.youtube.com/watch?v=rjjjlJw2cgM How to make TikTok Videos https://www.youtube.com/watch?v=vAho-cr5UxY 10 Mistake TikTok users make https://www.youtube.com/watch?v=nrY9HpJd6zE Hashtags https://www.youtube.com/watch?v=xcZHGr_xpII If you have enjoyed this blog, or found it informative, then make sure you don’t miss future editions. Just click on the button below to sign up for our newsletter. We’ll even send you a free ebook for doing so.
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 I read a post in a writers’ group on Facebook recently that said that the author had done their “research” and come to the conclusion that there were just two approaches to marketing a book. Approach One was to plug your book relentlessly on social media. Approach Two was to make sure you get your keywords right, a good cover, a snappy title and a top notch blurb so that your book would show up in searches and sell that way. The person who made the post had decided he was going to put all his eggs in one basket and just pursue one of those approaches. I’ll not say which in case it influences you to do the same, which is not the objective of this blog. In fact, the objective is exactly the opposite.  Like this shape, Marketing is multifaceted. I’m not going to say that either of those two approaches are wrong in themselves. What I will say is that narrowing things down to just one of two approaches is like saying there are only 2 ways to cook eggs (I can think of 6 without breaking sweat). Marketing, like any discipline, is multi-faceted. Tossing a coin and saying that only one option will be taken is like taking a binary view of any activity. It rules out more than it includes and what it rules out is valuable. Good marketing is analogue decision making, not binary. Using social media to plug a book is important to an Indie author. First of all, it is all some authors can afford because everyone can afford free. Secondly it raises the author’s profile, even if it is only amongst a limited size group of people. Finally, it can actually sell books if done the right way. But having the right keywords, cover, blurb etc is also essential. Keywords get the book found in searches. But they don’t sell the book. Once the book has been found, the cover attracts attention, the blurb increases the reader’s curiosity, and the sale is around 70% made.  But it is either the reviews or the free sample (sometimes both) that actually sells the book. Reviews because people will buy what other people have liked and the free sample because it allows the reader to decide if the book lives up to the expectations raised by the blurb and the cover. But that assumes that the book appears high enough up in the search results. There can be no doubt that Amazon ranks search results by popularity. At the top of Page 1 of the results is always the “sponsored” books, the ones that authors or publishers have paid to be there. Then you usually get the best-sellers in the genre because Amazon knows that they are money makers. The rest of the results can be spread over many pages and there is no way of knowing how far readers will go through the results before they buy their next read. Yes, your book will be there if you used the right keywords, but they may be on page 100.  I suspect it’s going to be one of those 80:20 things. 80% of all books that will be purchased will appear on the first 2 or 3 pages of results and only the remaining 20% of sales will be made on subsequent pages of results, with the percentage declining the further you go through the pages. I have no evidence to support that, BTW, but intuitively it would seem to make sense. So, if you want to be in that 80% you have to do something else to make that happen. And that falls outside the second approach described above. To get your book into the 80% you have to find some way of marketing the book that doesn’t depend just on search results. You have to find a way of getting the reader to go looking for that book specifically, rather than doing a search. And that means finding a way of getting the reader to click on a link so that they go to exactly the right page for the book.  So, we’re back to social media. Yes and no. Social media is just one route that can be taken. We’ve already mentioned paid advertising as a way for readers to find a book the reader didn’t even know they wanted to buy. We use it and it pays for itself many times over. But for people who have a more limited budget that isn’t always a viable route to take (but check it out because it’s probably cheaper than you think). When you use social media and search results together, you start to harness the best of both worlds. It isn’t an either/or situation. It is a “both in the right place” situation. Then you can add in things such as email lists, promos, blogs and so much more.  I could list all the approaches that we at Selfishgenie Publishing use, but you would end up reading all day and you probably aren’t up for that. Scroll down to read the blog we posted a fortnight ago, because that says a bit more about what successful book marketing involves. Suffice to say – there is more than one way to skin a cat and using several ways, at the right time and in the right way, is always going to produce better results than just limiting yourself to one approach (apologies to animal lovers, but it’s just a saying. No animals were harmed in the writing of this blog). That is why marketing is such a time consuming activity for the Indie author and if you aren’t prepared to commit the time, you are always going to get disappointing levels of sales. One of the most frequent questions Indie authors ask about marketing their books is “Which is the best place to market my book?” The answer to that is so subjective that there simply is no answer.  Just because Author A had huge success using Platform X, it doesn’t mean that Author B will have the same success if they also use it. This is why you have to know your readers, especially when it comes to using social media. For example, TikTok is used a lot by younger people. Now, don’t get the idea that it is only used by them, because older people use to too. But if you want to reach younger readers, then you are better off using TikTok than using, say, Facebook. Many women find X (formerly Twitter) too hostile for them, so if you want to reach a female audience you would be better off using Instagram or perhaps Pinterest, where more women tend to hang out. And that is why Author A may be having more success and why Author B won’t because their readership is different and therefore their readers’ social media habits are different.  There are even some readers who don’t use social media at all, or the internet for that matter (I know, weird, huh?) so reaching that group of people is going to be really hard, which is where book fairs and other real world forums fit into the equation.
I’m not saying you have to be everywhere, all the time. You would have to be superhuman to do that. But you do have to think in terms of being in more than one place at any time. This is why real research is so important. You have to know where the majority of your target readership hangs out and when they hang out there, so that you can be in the same place at the same time. For example, there is little point in targeting YA audiences between 9 in the morning and 4 in the afternoon, because they will be in school or college. You have to target them in the evening. So, what would we like you to take away from this blog? 1. Book marketing is not a binary choice. It is multifaceted. 2. Taking multiple approaches to marketing covers more bases, which means it is likely that you will sell more books. 3. Know where (and when) to find your readers, so your readers can find you. If you have enjoyed this blog, or found it informative, then make sure you don’t miss future editions. Just click on the button below to sign up for our newsletter. We’ll even send you a free ebook for doing so.  Books don’t sell themselves. They have to be marketed and learning how to market a book effectively can be time consuming. It can also be expensive, especially as there are so many sharks out there who would like to take your money but not give you very much in return. But you can kick start your marketing efforts by following our top 10 marketing tips for self-published authors. 1. Make time for marketing The one thing every successful indie author can tell you is that marketing takes up a lot of time. But the same authors will also tell you that if you don’t put enough time into marketing, you will never sell any books. Or at least, you won’t sell many.  If your dream is to become a best-selling author, you also have to become a good book marketer. But marketing doesn’t stop when your book has started selling. If you stop marketing, the sales will stop too. This is pretty much a lifetime commitment. You need to spend a minimum of an hour a day marketing your books. That can be more than doubled in the early days or when you have a new book coming out. Yes, it’s a lot. There is no tip in this list that makes marketing any less time consuming. No indie author, even ones who are good at marketing, became an “overnight success”, so you also have to learn to be patient. Patience isn’t just a virtue – it is an essential. That isn’t something people want to hear in today’s “instant gratification” world. But if you try marketing for a week, get no results and stop because you think it isn’t working – well it won’t work. It wasn’t the marketing that failed, it was the lack of patience that caused the failure. It is said in the marketing industry that buyers have to have 7 “touches” of a product before they buy it. A touch is any sort of exposure to the product and includes seeing marketing messages on-line It takes time for those 7 “touches” to happen. You could be lucky and get them within a few days, or it could take weeks, months or even years. But the more marketing you do, the more “touches” the readers will get and the quicker it will be for you to make sales.  2. Use multiple approaches to marketing. Using one approach to marketing may bring you some results, but using several different approaches will produce even better results (which is why marketing is so time consuming). People respond to marketing in different ways. Some will respond to direct advertising, but others would rather die than click on an ad. Which is why you need to use multiple approaches to reach different people. By using all the different approaches listed below, in combination and at different times, you will tap into several of the different ways that people respond to marketing. We promoted this blog as the “top 10 tips”, but that doesn’t mean that there are only 10, so be prepared to research some of the ones we haven’t mentioned. Our past blogs are full of other approaches, and they can be found in our blog archive.  3. Cover The book cover is the first thing the reader sees and it does quite a lot of heavy lifting when it comes to marketing. It has to attract the reader’s attention at the same time as it tells them about the genre of the book. Spend some time looking at other authors’ book covers, especially the best sellers in your genre. What have they got in common? But most of all a book cover has to look professional – even if it was created by an amateur. If you can design your own covers using Canva or BookBrush (other graphics packages are available) and make them look professional, then that ‘s great. But if you can’t it is worth spending a little bit of money to get the right cover for your book. But beware. There are lots of “designers” out there and they don’t all do a good job. Also, the book covers they show on their profiles may not actually be their work. Seek recommendations from other authors, because they have trodden this path before and may be able to point you in the right direction.  4. Blurb This is the other bit of marketing that does a lot of heavy lifting. So many books don’t sell because their blurbs are just snores-ville. Don’t try to describe your book in your blurb. You’ll never do it justice. Instead describe how exciting/entertaining/dramatic/thrilling/romantic/funny your book is. The first sentence has to hook the reader. It doesn’t matter how good sentences 2, 3 and 4 are. If the reader isn’t hooked by the time they get to the first full stop, those other sentences won’t even be read. We have covered blurb writing in previous blogs and there are lots of other blogs out there on the subject. READ THEM.  5. Metadata Meta data is all the stuff that you enter on the first page of whatever publishing platform you use for your book. Author name, title, subtitle, description, category (or categories), keywords etc. All this information is important because it is the way your book will be found when readers do searches for books to buy. Your metadata has to include words that will match up with their search terms. Pay particular attention to the category in which you place your book, because if you put your book in the wrong one, you may as well hide it at the back of a cupboard because it will never be found by the readers who read books like yours. On social media we see a lot of authors saying “you can’t fit my book into any category, it’s a cross between X, Y, Z and something new and original I created.”  This is wrong. Their book has a central theme, and that central theme is the category it belongs in. If ever there was a time to “pick a team”, this is it. One “team” will always be better for your book than the others and you have to work out which it is. Do some research! Do searches on etailing sites to find the categories that other authors in your genre are using. You will find the information in the “product description” section on Amazon. Who are the big-name authors in your genre? Take a look at the categories where their books are listed because that is probably where yours should be listed too. If you get your metadata wrong your book won’t show up in search results. If you get it right it will. Maybe not on the first page, or the second page or even the third but it will be in the results somewhere. The better the match between the search terms and the metadata, the higher it will be. When it comes to keywords, do more research. Don’t just try to guess them, try them out to see what sort of search results you get. Use incognito browsing so you don’t get offered your own books or books like the ones you have bought in the past. If you don’t get books like the one you’ve written, then the keywords aren’t the right ones to use for your book.  6. Social media presence The important thing about social media is that it is social! In years gone by, being on social media was a great place to promote your books for free. However, so many authors are now using it for that purpose that readers now tend to just scroll past book promotions. That doesn’t mean you don’t have to bother with social media. But it does mean that you should use it more to build relationships than you do for promotion. And we do mean real relationships, ones that involve conversations. Asking random questions in order to get lots of responses is not a relationship and it isn’t a conversation. Finally, don’t focus on attracting writers, focus on attracting readers. Yes, writers will support you and give you “likes”, but they aren’t the people you need to be talking to if you want to sell books. Readers, on the other hand, are always looking for new books to read. (yes, we know that writers also read books, but there are many more readers than there are writers). How do you identify readers? By starting conversations with people. We recommend Facebook, X and Pinterest. We don’t recommend Instagram, TikTok or similar. But we may be wrong so if you think you can make them work for you, then give them a whirl.  7. Advertise It pays to advertise, that’s why big corporations spend so much money on it. And it can pay back for indie authors too if they do it the right way. The wrong way is to pay on-line book promotion sites to blast out X or Facebook posts and to “feature” your books on their websites. The posts are ignored and the website entries get lost in the crowd. Use the outlets that have been proven to work for other authors. For us this is Amazon and Pinterest. Both platforms are used by people who want to buy something, so the battle is half won before you start. All you have to do after that is to learn to use them effectively. We have sold books using Facebook advertising, but Amazon Ads and Pinterest have both been more successful for us. I have provided some links to resources at the end of this blog. For Amazon, once you have seen their videos, I would recommend undertaking Bryan Cohen’s “5 Day Author Ads Challenge” where he teaches authors how to use Amazon’s algorithms to get better results for less money.  8. Your own website Having your own website isn’t for everyone and if you don’t think it is going to be your thing, that’s fine. However, if you do decide to get a website, or you have one already, it is useless if you can’t get people to go to it to look at your books. You need what are called “reader magnets”. There are two things you can put on your website to attract readers. One is complete short stories that can be downloaded for free. The second is free extracts of your books, with links embedded to take the reader to the complete book so they can buy it when they have finished the extract – assuming they liked the extract, of course. Blogs can be a reader magnet – if you are reading this it is because we drew you in with our magnet – but they take a lot of time to write, especially as you need to post new blogs regularly. If you are considering getting your own website, wait until you have at least 3 books published. The cost can’t be justified if you only have one book to sell. But remember, your website is like your book. Nobody is going to trip over it by accident. Use the other marketing tips in this blog to get people to visit your website or you may as well not bother having it. If you don’t want a website, at least have a Facebook page dedicated to you as an author. Keep it separate from your personal page and use it like you would a website.  9. Price Promotions Price promotions are a great way to kick start sales of a new book, by reducing the price of a previous book. Putting your book on sale for a low price can attract sales, boost you up the sales rankings and get you reviews. However, they won't earn you much in the way of royalties, so you have to strike the right balance. Where price promotions really work is by reducing the price of an existing book and using it to promote the new book. Make sure that you include an extract of the new book in the reduced price book to entice people to buy it. This may mean having to change your ebook’s MS and re-publishing, but that doesn’t take too long. This tactic works very well if you put the new book on “pre-order”, which allows you to generate interest before the actual release date. Your pre-order sales all show up in the sales rankings on the day the new book launches, and they catapult you upwards. We do give away free books from time to time, but we don’t recommend it as a major marketing tool. Free books tend to be downloaded by people who only want a free book. They often don’t result in subsequent sales. Free books don’t feature in sales rankings, so they have no impact in those terms, though they may provide you with a few more reviews. It is better to discount the price of the book for a period. Amazon allows you to do this for 5 days at a time if your book is enrolled in KDP Select, but even if it isn’t, you can reduce the price on the book’s set-up pages on KDP as long as you don’t go below the minimum price that Amazon sets. Draft to Digital allows you to generate Smashwords coupons for discounts up to 100% and you can publicise these through your social media. But special offers are only special if they are for a limited time. Keeping books listed at a discounted price for a long period reduces the impact they have.  10. Learn how to market effectively. We should probably have made this the No 1 tip, but if we’d done that you wouldn’t have read the rest of the blog. There is no substitute for learning the skills necessary to do any job. Exactly the same applies to learning how to market your books. The biggest selling indie authors aren’t the ones who have published the best books. They are the authors who have learnt how to become good at marketing. You can write a mediocre book (we've read some of them) and still become a best-selling author by learning how to market. You can also write the best book ever written and it will never sell because you didn’t learn to do your own marketing. Your book, your rules. All we can say is that we sell books because we market relentlessly, and we are always trying to learn new marketing skills. We have included a link below to direct you to a website where you can get some training for free to get you started.  Resources One blog won’t make you a marketing expert, so here we list some resources you can tap into to help you with your marketing. Marketing training. FutureLearn offers free training wherever you are in the world. Search their site for a wide range of marketing courses. You can complete one in a day if you put your mind to it. Using Pinterest for marketing: Beginners use this link, more advanced users should use this link to find out how to use it for business (and selling your book is a business) Amazon advertising: watch their videos to learn how to use their ads platform. To learn to use Amazon Ads more cheaply and effectively, try Bryan Cohen’s 5 Day Author Ads Challenge. This is the Facebook page to find out when the next challenge starts. They usually run once every 3 to 4 months.  What to take away from this blog
There are two key messages that we hope you will take away from this blog: 1. Marketing is the only way an indie author can ever sell more than a handful of copies of their books. 2. Learning how to market is the only way to make marketing work for you. If you have enjoyed this blog, or found it informative, then make sure you don’t miss future editions. Just click on the button below to sign up for our newsletter. We’ll even send you a free ebook for doing so.  There was a recent kerfuffle amongst Indie authors on X/Twitter when a well-known, trad published, author (I won’t name her, the posts are all there if you want to look) suggested that Indie authors take the “easy route” by self-publishing. She actually said it on Instagram or TikTok, or one of those platforms, but the kerfuffle was on X/Twitter. Naturally, this is not a view we share. And we are pretty sure that it isn’t true anyway. I know for a fact that Selfishgenie Publishing wasn’t the first choice for any of our authors. Nor were we their second choice, or their third. In fact, if we made it into their top 100 choices we would feel quite proud. Those authors came to us because they felt they had nowhere else to go. It most certainly wasn’t an easy choice for them to make, we know that. Our authors came to us for three reasons:  1. We were willing to give them a chance. 2. We were able to provide skills that they didn't have. 3. Unlike vanity publishers, we didn’t make any upfront charges for our services. Now, you may be wondering why, as publishers, we lump ourselves in with Indie authors. It is because that in many ways we function in exactly the same way as the indie author functions. We may be publishers, but we are also authors ourselves. Our company exists because we started doing for other people what we were already doing for ourselves. And, just like many other indie authors, self-publishing wasn’t our first choice. But it wasn’t really a choice we made for ourselves anyway. It was made for us by others. For many self-pubbed authors, there is a three step process. Let’s just go through it to see if it rings any bells.  Step One – Querying. Sending out queries to agent after agent and getting knocked back every time. How many letters are sent and over what time scale varies from author to author, depending on their resilience. But in the end the author finally admits that it isn’t going to happen for them and stops sending out query letters. The decision to do that isn’t one the author makes voluntarily. The author has just come to the realisation that none of these agents are going to offer to sign them, so it isn’t actually a decision at all.  Step Two – Pitching to smaller publishers. There are some smaller publishers that accept submissions direct from the author, not via an agent (they do accept submissions via agents as well, of course). After working through the lists of publishers who will accept those submissions and once again getting knocked back every time, the author once again realises that those publishers aren’t going to sign them. Again, the decision isn’t really being made by the author. It is being made by the publisher. The author is just accepting the reality of their position. Let’s face, getting a trad publishing deal is a numbers game. Using the old iceberg analogy, it is only the authors that represent the tip of the iceberg that get a publishing deal. The vast majority that sit below the waterline don’t get one. They are probably around 95% of all authors writing today. They can’t all be bad. In fact most of them are pretty good.  Step Three – Self Publishing. When the author decides to self-publish, they are making a choice. The alternative is not to publish their work at all and, sadly, some authors do make that decision. Their talent will be forever lost to readers simply because they are worn out from trying. So, what part of steps one and two were easy, do you think? Is it easy to get rejection after rejection? No, it isn’t. Every rejection feels like a dagger through the heart. Is it easy to get back on the horse and try again, and again, and again? No, it isn’t. Yet we kept sending out those queries, even though we knew we would get more stab wounds.  The author who thinks it is easy to go self-pubbed is speaking from a highly privileged position. They got their agent before their resilience ran out. They got their publishing contract. Every time they submit a new MS to their agent, they know that the agent is very likely to go into raptures of appreciation for it, because they know that another pay-day is approaching. And when the agent puts the MS forward to publishers, they know there is a very high probability that it will be accepted for publication. That is privilege indeed. But, apparently, we Indies are the ones who take the easy route. So, what does that easy route look like? Aside from getting stabbed repeatedly, of course.  Learning new skills, that we never imagined we would ever have to learn when we first sat down to write our book. Not writing skills - we knew we might have to learn a few of those. No, we have to learn to edit, to proofread, to format, to use new platforms so we can upload and distribute our books. We have to learn how to spot the fakes and the scammers who want to take our money. But most of all we have to learn how to market our books. This really is the biggest challenge for the author. Nobody is going to buy a book they don’t know exists and marketing is the way we get the book out in front of readers so that they know about it.
So, how can any of that be the easy option? The only easy option is to not market the book and accept that it isn’t going to sell.  I suspect that the author in question, like so many trad published authors, simply has no idea what an Indie author actually goes through, or the amount of work they have to do, not just today, but every day until they either give up or they die. If that is the case then they should understand the risks of talking about things of which they have no knowledge. They should also be aware that they are perpetuating the prejudice that being self-published is somehow second rate. It isn’t. We are self-published because no agent or publisher would take a chance on us. That doesn’t mean our work isn’t any good. Agents and publishers want guaranteed best sellers. There is no room for risk in that equation and new authors are risky.  We know that because quite a few authors do get book deals with trad publishers, but when their book doesn’t sell as expected, the publisher drops them. And when the publisher drops them, so does their agent.
And they end up here with us indies. But we also know our books are good because, providing we get the marketing right, we are able to sell our books. And some of us even sell them in quantities that some trad published authors can only dream about. So, to all you indies out there, we want to tell you that you are our heroes. You are the people we admire. We admire you far more than we admire trad pubbed authors, because we know what it has taken for you to get where you are today. Because we have travelled the same road and we know how hard the journey is. We wish you well. Keep fighting the good fight. If you have enjoyed this blog, or found it informative, then make sure you don’t miss future editions. Just click on the button below to sign up for our newsletter. We’ll even send you a free ebook for doing so.  We’re going to be a little bit controversial this week, so we will understand if you don’t agree with us (by all means, tell us in the comments section). But we have given this subject a bit of thought and our reasoning is solid, we think. We are recommending that after you have published an ebook, you wait for a period before you publish a paperback (or hardback) version. We suggest waiting 4 - 6 months. This is contrary to the way mainstream publisher’s operate. They publish a hardback copy first (mainly to send to reviewers) then a paperback then, finally, the ebook. Nowadays it is common to publish all three fat the same time, but some publishers still spread the process out over 9 to 12 months.  So, why are we recommending publishing the ebook first and then delaying a hard copy for up to 6 months, when mainstream publishers do the opposite? Mainstream publishers have an army of proof-readers and editors who work with the author to get it ready for publication. So, when they put out their hardcopy version, they are already confident about its narrative quality and that it is error free. Even then I’m sure we have all read books from mainstream publishers that have been error strewn. But Indie authors only have an army of one; themselves. If you want to change an ebook after publication, it is easy to do so. If you wish to change a paperback, it is much harder. OK, I’ll have to qualify that and say that some publishing platforms make it harder than others.  Because of the way Draft2Digital publish their paperbacks, using 3rd party printers, they don’t allow you to change the paperback content once you have approved the book for publication. You have to purchase “print change tokens” which cost $25 (about £20), which covers the cost of getting the 3rd party printer to make the changes.. So, why should this matter? Well, experience shows us that 30 seconds after you click on the “publish” button, you will spot a typo in the MS. Or, more likely, your readers will spot a typo. Secondly, once the book starts to sell you start to get reviews and if the reviews are negative you will want to do something about them.  So, you need to give yourself some breathing space to correct the typos and to make changes to the MS to address the issues that have resulted in you getting the negative reviews. There is a psychological factor that will come into play as well and that may affect the sale of future books. If someone pays $5 for an ebook and they aren’t happy with it, you may get away with it. For those sorts of prices, the reader may not bother posting a review. They may even give the author a second chance and buy their next book.  BUT For a $15.99 (£13.99) paperback the rules change. For that price the readers are much more likely to leave a negative review if they don’t like the book and they almost certainly won’t buy a second book by the same author. OK, in an ideal world your book will be perfect the day you publish it. You will have used the feedback from both your alpha and beta readers to improve the book. You will have formatted it properly and you will have eradicated all those pesky typos and incorrect homophones. But we don’t live in a perfect world. Some of those things will have slipped through. Even if you have paid a proof-reader to check your book (like a mainstream publisher does) some may still slip through because proof-readers have human failings too. You also may not have used alpha or beta readers, so you have no idea if your book is any good or if it can be improved.  By delaying the publication of your hardcopy version, you give yourself the time to sort out the teething problems. Your ebook readers effectively become your beta readers, editors and proof-readers. As a quality strategy it isn’t one we would recommend, but we are realists and we know from experience that this is what some authors are unwittingly doing. Now, I haven’t mentioned Amazon, but that is because they are more forgiving. If you want to change your MS for the hardcopy on Amazon, you are able to do so. But, as we’ve said in other blogs, Amazon is only one sales channel, and you need to be covering all possible bases. That means that if you are going to change the MS on Amazon you will also need to change it on D2D and that is going to cost you money.  And don’t forget those psychological connections between pricing, reviews and future sales. They apply equally to books bought on Amazon.
So, when you’ve published your ebook and you get that prompt that says “Do you want to start your paperback?” please resist the temptation.to say yes. Take a step back, take a deep breath and say “No, I’ll leave it for now. I’ll come back in 4 - 6 months’ time when I’ve seen if there is anything wrong with my ebook version and had time to fix it”. Finally, if you are lucky enough for your ebook sales to go stratospheric, you can always change your mind and roll out the hardcopy before the 4-6 months has elapsed. If you have enjoyed this blog, or found it informative, then make sure you don’t miss future editions. Just click on the button below to sign up for our newsletter. We’ll even send you a free ebook for doing so.  In writers’ groups on social media, authors often post drafts of their blurbs, asking for opinions. It’s a good idea, because it can gain valuable feedback. But in reading these drafts, it is quite obvious that some authors haven’t read any of the numerous blogs that have been written on the subject of blurb writing. In the vast majority of cases, the blurbs won’t sell the book because they fail to capture the interest of the reader within the first few words. Instead, they try to precis the story and what they end up with doesn’t sound interesting enough to sell the book. But experts on blurb writing often say they can write a blurb that will sell a book without even reading the book. And this is a theory we subscribe to, in broad terms, because in the blurb you aren’t telling the story, you are telling the excitement of the story.  You aren't selling the story, you are selling excitement. Let’s take visual media (movies, TV and games) and think about how they sell their product. They never try to tell the story. They try to show the viewer/player how much enjoyment they are going to get if they watch the movie or TV show or if they play the game. Depending on the genre, you will get car chases, explosions, gunfights, people falling out of aeroplanes, zombies trying to eat people, people expressing anger, fear or love. If it’s a comedy you will get jokes, either visual or spoken. What’s the most memorable scene in the movie Dumb and Dumber? Yes, that’s right, the one where Harry (Jeff Daniels) has his tongue frozen to the street sign. Yes, that’s in the trailer! By the time a good thirty second trailer is over, people are already setting reminders on their TV, booking seats at the cinema or they are downloading the game. The movie, TV show or game may be the worst ever, but you would never get that from the trailer. Because the trailer looks exciting/horrific/emotional/funny, and the audience wants to see more. The blurb is a book’s trailer, so it has to work the same way.  The reaction many book blurbs get. So many book blurbs just don’t sound entertaining enough. By the end of the first paragraph the reader has already lost interest and is scrolling onto the next book in the search results – somebody else’s book! We try to follow a three paragraph structure for blurbs. If you haven't sold the book by the end of the third paragraph, you probably aren't going to sell it at all. Research has shown, however, that many readers never get past the first paragraph. So that is the crucial one. If that hooks the reader, then the other two paragraphs clinch the sale.  We call this approach (very unoriginally) “hook, line and sinker.” Hook gets the readers’ attention, line reels them in and sinker makes the sale. (Note for the pedants: we know that is not what a sinker does, but we don’t care about that. We just want three simple words to remind us that the blurb comes in three parts. We don’t claim that our fishing metaphor is perfect.)  But the hook is crucial. It does 80% of the work in selling the book, because if it isn’t sharp enough, the reader’s attention will already be moving onto the next book in the search results. A good hook is made up of three parts (do you see a trend emerging here?): character – conflict – consequences. Who is the character, what conflict have they become embroiled in and what are the consequences of failure? But it also has to indicate the book’s genre without wasting words by making it explicit. If you write westerns, you might use the words gunslinger, drifter or cowboy. If you write medical romances, you might mention a doctor or a nurse. These indicate the genre without having to describe the genre. The hook can be written as three sentences, or as a single sentence. That isn’t so important. The important thing is that you have less than fifty words to get those things across in an exciting manner. Yes, 50! So, no room for lots of adjectives. No room for descriptions. No room for sub plots. No room for backstory and definitely no room for “world building”.  It has to be the tightest writing the author has ever done, because, if the reader’s mind starts to wander, they’ll never get them back. Here is an example: “When Private Eye Harry Jones was asked to investigate an errant husband, he had no idea it would nearly get him killed.” So, from that sentence we get genre (crime), we get the main character (Harry Jones) and we get the conflict and the consequences in the single word “killed”. To save you having to count, that was just 22 words. I didn’t need 50 and the reader will either be interested in finding out why a routine investigation nearly got Harry killed, or they won’t. I’m not trying to say that example is perfect, but it is the sort of thing blurb writers aim for as a first attempt. A 3 sentence example might be “A private investigator. An errant husband. A deadly assignment.” We still have the character, but without using his name. We still have the genre. We still have the conflict and the consequences. Some genres lend themselves to that approach better than others. I probably wouldn’t use the 3 sentence structure for a romance (though that doesn’t mean it can’t be used).  The second paragraph, which we call “line”, expands on the first to provide it with context. There are a few rules, mainly “don’ts”. 1. Don’t include other characters, focus on the protagonist (or MC if you prefer). 2. Don’t include sub-plots – stick to the main plot throughout. 3. Don’t get into world building, locations or time periods. If the book is set in a specific time period, use a generic term, eg Regency, medieval etc, or just refer to a century. 4. Don’t include backstory. It loses the focus of the blurb. 5. Do ramp up the conflict and the jeopardy. Continuing from our example hook, above, we might develop the line as follows: “When Harry Jones is asked to find out if a client’s husband is having an affair, it leads him into the seedy world of drugs and prostitution. He stumbles on the daughter of an old friend, enslaved to a drug gang. Desperate to help the girl, Harry takes on the gang's boss to set her free.” We can now clearly see the conflict that Harry has to deal with, without using a lot of unnecessary words. At the same time, we introduce a victim that needs help (the girl) and a villain (the gang's boss).  The sinker. All that needs to happen now is for the levels of danger to be ramped up so high that the reader has no choice but to buy the book to find out what happens. That is the job of the “sinker” paragraph: “In order to rescue the trapped girl, Harry fights not only the drug gang, but also his own fears. Old memories return to haunt him, paralysing him with indecision. Can he overcome his past and get to the girl before she is killed, or must he watch his friend’s daughter die? Finishing on a question leaves the reader wanting to know the answer. And to find out the answer, they have to buy the book. Yes, it is manipulation, but all marketing is manipulation of some sort.  Different genres use different types of wording. Romance blurbs use phrases like “torn apart by fate” or “star-crossed lovers” or “mutual dislike”. But whatever wording is used, the blurb has to show that the possibility of an unhappy ending is real, so that the reader will want to know the final outcome. The final message we must give you is that the hero must always have control over their actions. They must never be coerced into involvement. So phrases such as “Harry must fight…” or “Harry has to overcome…” are a no-no because they make it look like Harry has no say in the matter. Instead, phrases such as “Harry fights …” or “Harry overcomes…” take out the element of coercion and leave Harry as a hero.  This is because heroes do the right thing because it is the right thing to do, not because they have been made to do it by some outside agency. This is a pretty safe rule when writing a novel anyway. The hero is the hero because they don’t walk away, even though they could. It's is a tough thing to do with some professions. Police, military, firefighters etc have to obey orders, so what we are talking about in a blurb has to be the character going above and beyond the call of duty. Yes it’s the cop’s job to catch the killer, but it isn’t their job to dangle from a ledge a hundred feet up while they do it.  Here’s a free offer for you. If you want to try out your ideas for your blurb, email it across to us at the address on our “contacts” page, we’d be happy to provide you with a bit of feedback, free of charge.
Of course, if you’d like to browse our books catalogue while you’re waiting, we’d be delighted. You’ll find some stuff to read on our “free stuff” page. Pull up a seat, pour yourself a cup of coffee and we’ll get back to you as quickly as we can. If you have enjoyed this blog, or found it informative, then make sure you don’t miss future editions. Just click on the button below to sign up for our newsletter. We’ll even send you a free ebook for doing so.  People talk a lot about the law of averages. By this they mean that if they do something enough times, there must be enough positive outcomes to balance out all the negative outcomes, to restore an average outcome at some imaginary point. This is a fallacy. It is also flawed thinking. Except in purely mathematical terms, there is no “law of averages”. For some things there are only ever negative outcomes or positive outcomes. There is no celestial balancing act between the two. The sheer number of variables in so many of life’s occurrences mean that no “average” could ever be achieved, because each one is essentially unique. People confuse the laws of statistical probability with the law of averages.  Statistical probability relies on things not changing between one occurrence and the next. If you toss a coin 100 times, for example, it should come down heads 50 times and tails 50 times. The amount of force used varies from coin toss to coin toss but, statistically there are only two possible outcomes, so the probability of one outcome vs the other is 50:50. But in most of life's occurrences, there are too many variables for statistical probability to give you a 50:50 outcome. In any occurrence the number of variables is sometimes so great that the number of possible outcomes is mind bogglingly large and there is no guarantee that any of those outcomes is going to be a positive one.  Gamblers work on a different fallacy with regard to "the law of averages". They believe that if something hasn’t happened for a while, (like the little white ball landing on certain number on a roulette wheel), then, by the “law of averages” it must happen very soon. However, where the ball lands on a roulette wheel is random (if the wheel isn’t rigged). The ball can just as easily land on the same number twice in succession as it can land on a number that it hasn’t landed on in a while. The ball hasn’t any will, so it can’t choose where it lands. The ball also has no memory, so it doesn’t know where it has landed and where it hasn’t (the same applies to lottery numbers). But the speed of the wheel, the way the croupier places the ball onto the wheel, and the point at which it is placed, are all variable, making each turn of the wheel unique.  Similarly, if a racehorse hasn’t won a race in a while, there is no reason to suppose it will win its next race. It isn’t winning races because it isn’t as fast as the other horses. It is not suddenly going to get faster, nor are the other horses suddenly going to get slower, just to satisfy some non-existent “law of averages”. A change of jockey or a change in trainer may result in the horse winning a race, but that has nothing to do with the “law of averages” because something has changed, therefore changing the likelihood of the outcome. It is the change that made the difference. Let me give you an extreme example. If you stick your hand in a fire, it will get burnt. That is a negative outcome. But there is no positive outcome. You cannot ask 100 people to stick their hand in a fire and get a negative outcome in the belief that the 101st person to do it won't get their hand burnt in order to satisfy the “law of averages”. I’ll give you another example, this time less extreme.  If a job applicant sends out their CV (resumé for our American readers) to 100 companies and gets no response, sending it out to another 100 companies does not mean that there will be a company that will decide to take a chance on the applicant, just so the “law of averages” can be balanced out by a good outcome. If a CV has been rejected 100 times, there must be something wrong with it because 100 companies are not going to reject a good candidate for a job. And so we get to the nub of this week’s blog.  When it comes to querying a book, there is also no law of averages. OK, not every agent that the MS is sent to will be the right agent for that book. A bit of research can eliminate those before the query is even sent. Also, some agents may not really be looking for new authors, so they will reject the MS and other agents may not read the submission properly and so will reject it because they didn’t “get it”. There may be other reasons why some agents reject an MS which have nothing to do with their literary merits. Who knows? But sending a query out time after time and getting the same result doesn’t mean that the law of averages says that on the next attempt you will hit the target with the right agent. If you get past a certain (unspecified) number of rejections, then it probably means that no one likes your MS and the time has come to stop sending out queries and start reviewing your MS to find out what is wrong with it. or to review your options for getting your book published. Or both. In other words, it’s not them, it’s you (or, rather, it’s your MS).  We see a lot of posts on social media with people saying they’ve sent out their MS again to another hundred agents, or direct to publishers, and this time they’re hoping for better results. If you have made over 20 queries the chance of finding an agent is actually getting smaller, not bigger because there is no law of averages. There is only an MS that agents/publishers like or one that they don’t like enough to take a chance with. Don’t take that number of 20 as being some sort of empirical threshold. It just feels about right to us. Maybe it’s 25, maybe 30, but we doubt that it’s much higher. Einstein defined insanity as doing the same thing over and over again and expecting different outcomes each time. He knew there was no such thing as a “law of averages”. So, are you displaying that sign of insanity?  In the world self-publishing this maxim also applies. If you have tried the same things time after time to sell your book and sales haven’t improved, there is only one of two conclusions you can draw. Your approach to marketing is wrong, or the book isn’t attracting readers for some other reason.
If the marketing you are doing isn’t selling your book, then you have to try something new. If you always do what you always did, you’ll always get what you always got. If you want something different you have to do something different. And if you have tried something different and the book still isn’t selling, you have to look at the book itself and ask why readers aren’t attracted to it. Maybe it’s the cover image. Maybe it’s the blurb. Maybe it’s the “look inside” sample, or maybe it’s the reviews that have been posted. Maybe it’s something else entirely. But the thing it won’t be is the law of averages. If you have enjoyed this blog, or found it informative, then make sure you don’t miss future editions. Just click on the button below to sign up for our newsletter. We’ll even send you a free ebook for doing so.  We see a lot of discussion on social media about which is best – traditional publishing (which we will abbreviate as TP) and self-publishing (abbreviated as SP). Within self-publishing we include small publishers such as ourselves, because we use most of the same channels for distribution and marketing as SP authors. We also see a lot of newbie authors asking whether they should go TP or SP before they have even written their book. We’ll circle back to that one later in the blog. The problem is that neither one nor the other is better in terms of choice. It may come as a surprise to budding authors, but you don’t get to make the choice. It may be your ambition to become a TP author, but agents and TP companies actually make the decision. Which means it’s their choice, not yours. All you can do is choose to try to become TP or choose not to bother but to go the SP route straight away.  Our advice would be always to try TP first. The reasons are quite obvious, but we’ll lay them out for you: 1. Access to wider distribution channels, especially major high street retailers. 2. Access to wider markets, such as overseas territories. 3. Professional support, especially editing and proofreading, but also cover design, blurb writing, translators etc. 4. Large marketing budget. 5. Marketing professionals selling your book for you. 6. Reputation and credibility (SP authors are often not regarded as “real” authors). To turn your back on all that would be foolish, so it is worth giving TP your best shot. But let’s do a reality check.  In the UK there are probably in excess of 50,000 working authors who haven’t got a TP contract already. That is a conservative estimate. The actual figures could be much higher because many aspiring authors don’t announce what they are doing. In the USA that figure is probably ten times as high. In the UK there are 9 big name publishing companies (by value of sales*) with an alliance of smaller publishers taking up the number 10 slot. In the American top 10 some of the same names also appear, along with some purely domestic publishers. Each of those top 10 UK publishers will sign perhaps 100 new authors a year, 1,000 in total. So, that gives a 49 to 1 chance of any of those 50,000 authors getting a publishing contract. I wouldn’t bet on a horse at those odds and, remember, that’s a conservative estimate. There are a number of smaller publishers who deal in niche genres or markets, but they take on far fewer new authors each year, so they don’t really feature in our calculations. So, in the UK, for every 50 authors working today only 1 is likely to get a TP contract. That doesn’t mean you shouldn’t try. It just means you have to prepare yourself for rejection. And even if you do get a TP contract, you will probably receive a lot of rejections along the way so, again, you have to be prepared for them.  An author who finds an agent or publisher with their very first query us as rare as a unicorn. Querying a book is brutal. We know, because everyone employed by our company has tried it at some time. That leaves 49 authors out of 50 to go the SP route or not bother publishing at all. I’ve already listed what you get with a TP contract, so if you go SP you have to provide all those things for yourself and that gives you two more choices. 1. Pay other people to do those things for you, or 2. Learn how to do them for yourself. We made a conscious decision not to pay people to do things we can do for ourselves. If we don’t know how to do something, we will learn how to do it. It is always going to be cheaper in the long term to learn something, because you only have to pay once. If you pay someone else, you have to pay every time you want to do it. If you plan on writing a lot of books, then the costs will mount up and every penny spent means a penny that has to be earned back in sales. At the end of this blog we’ll direct you to a resource that provides free training in some essential skills, such as writing, proofreading, editing and marketing.  Time for another reality check. If you think that writing a book is hard, then you are going to be shocked at how hard it is to market the finished work. We have posted a lot of blogs on book marketing over the years and we are still seeing the same issues being discussed on social media. This means one of two thing. Either people haven’t read our blogs on the subject (or anyone else's blogs about it), or it means newbie authors don’t realise that SP also means SM (self-marketing). It doesn’t matter which publishing website you use (KDP is one but there are several others), after you have clicked on the “publish” button, the real work is only just starting.  Nobody is going to stumble on your book by accident. Once your family and friends have bought a copy of your book, sales will dry up if you aren’t doing any marketing. If you have chosen the right keywords when you published the book, it will turn up in searches, but it won’t be on the first page. It may not even make it as high as the 10th page. Books that turn up on the 1st page of search results get bought, which is why paid advertising is used: it gets your book onto the first page.  Some books that turn up on the 2nd page of results may get bought. Books that turn up on the 3rd page or more rarely sell any copies. So, you have to find the ways of getting your book in front of readers and that is what marketing is all about. And if the SP author doesn’t do the marketing, nobody else is going to do it for them unless they are paid to do it. Which is why we always recommend going the TP route first, because if you don’t try, you can never succeed. Now, I said we’d circle back to wannabe authors fretting over the best way to publish their books before they’ve even written the book.  It’s very simple. If you haven’t written the book, you haven’t got anything to publish, so there is no point in fretting about whether to try TP or go straight to SP. At the very best you are wasting time that could be spent writing and, at the very worst, worrying about that sort of thing could cause writer’s block and you’ll never get your story written anyway. The time to worry about getting your book published is when you actually have a book. Not a first draft. Not a second draft. But a book that is the very best version of itself and has been tested on beta readers and then improved again based on their feedback.  Once you have that, you can start to worry about going TP or SP and, if you are going TP, how to go about finding an agent, because very few TP companies accept direct submissions and the ones that do aren’t in the top 10.
If your beta readers are telling you that the book isn’t that great, then trying to go either route probably isn’t worth your while. Sadly, not everyone who wants to be an author has to the talent to become one. But that doesn’t apply to you, of course. And, finally, just to clear something up. If you have written a book you are a real author. Being an author doesn’t depend on how your book is published. There is a growing list of SP authors who make 7 digit incomes from their books, which some TP authors (aka “real” authors) will never make. As an SP author there is nothing stopping you from joining that list, except for yourself. For access to free training in a range of publishing skills, try FutureLearn * The largest TP company in the UK top 10 is Penguin Random House (£409 million), the smallest is John Wiley and Sons (£28 million). If you have enjoyed this blog, or found it informative, then make sure you don’t miss future editions. Just click on the button below to sign up for our newsletter. We’ll even send you a free ebook for doing so.  Bryan Cohen of "Selling For Authors". I watched a very interesting webinar recently, about using keywords to improve sales on Amazon (and other retailing websites). I can’t provide a link to it, because it expired on 2nd July, but it was created by Bryan Cohen, owner of the Selling For Authors website. Bryan provides training for authors who need help marketing their books and he has also published a number of books on the subject, some of which have been reviewed on this blog page. We’re big fans of Bryan because he has helped us to increase our sales. So, with the webinar no longer being available, we thought we would tell you about some of the things we learnt from it.  Basically, the webinar was about “Search Engine Optimisation”, aka SEO. But rather than being about using SEO techniques to help people find your website (you may not even have one), it is about helping readers to find your books on whichever websites you sell them. Although I will be talking almost exclusively about KDP and Amazon, the same techniques can be used for whichever websites you use to publish and sell your books. The secret is keywords. Those are the seven words you are able to input into the metadata for your book when you upload it onto KDP.  Metadata, if you are unfamiliar with the term, is the stuff you enter in the first part of the KDP process: Book title, author name, blurb, etc. That is all copied across to other versions of the book, such as paperbacks and some of it also appears on the Amazon sales page. But from the point of view of this blog, I’ll be talking about keywords and subtitles which are a very important part of the metadata.. Now, I’ve already said KDP allows you to enter 7 key words for your book. That is misleading, because you can actually enter whole phrases. If you enter 7 phrases of five words each, that’s 35 words you actually use. The critical thing is, the closer you can match those phrases to the ones people use when they search for books on-line, the higher your book will appear in the search results.  If you use a generic term in your keywords, such as Sci-fi, then it generates thousands of results, and your book will be hidden away in amongst all the others. But if you get an exact match on a longer phrase, the only books that will appear higher in the results are those which have been “sponsored” (paid for adverts) and other books with keywords that are an exact match for the same search term. A book that hasn’t sold a copy since Adam was a lad can appear on the first page of the search results if the right keywords have been used. And experience shows that a book that appears on the first page of search results has a far higher chance of being purchased than one that appears on the subsequent pages. Bryan advises us that there is a process for finding the right keyword phrases to use. Trying to short-cut that process is likely to give disappointing results, so you are advised to set some time aside for this activity. 2 to 3 hours should be enough for a single book.  If you can’t spare 3 hours out of your busy schedule to sell your books, then you will never sell any books. The first thing to do is to think what your book is actually about in the simplest terms. This is not about writing a synopsis or even a back cover blurb. This is about finding a few words that describe it in the most basic form. So, let’s say your book's genre is sci-fi.
Having decided what sort of book you have written, you now need to brainstorm some phrases that might be put into a search bar by someone who is looking for books like yours, eg Sci-fi set in space but including time travel. Why do you need more than one phrase? Because this isn’t an exact science. We don’t yet know which words are going to provide the best results, so we are indulging in trial and error. This is why you need to set time aside to do this.  The next step is to try the phrases out in Amazon’s search bar to see what sort of results they generate. Use “incognito browsing” for this, so Amazon doesn’t show you your own books, because you are looking to see what results are produced for successful books (I’ll define successful a bit better in a moment). Having entered your first phrase, take a look at the results. Ignore the ones that have been sponsored and also ignore any books that are being offered for free, because you don’t know if they are popular because readers like them or because the readers just want a free book. Click on the book that is highest in the results (after excluding sponsored and free) and read the blurb. Is it like yours in basic terms? If no, then the phrase you have used isn’t producing the correct results and you can discard it. If yes, you can now scroll down to the book’s details and look at the sales rankings. This is where you consider if the book is successful or not.  If the book’s overall sales ranking is better than 50,000 it is probably selling reasonably well. But also look at its rankings within its categories. If they are looking pretty good (better than 5,000), then that confirms your initial feelings. But are they the same categories that you have selected for your book? Because that is an important factor too. If they aren’t you can change your categories in KDP later, because if their book is selling well in those categories, yours have a good chance too if they are similar. Don’t bother with books that have a sales ranking worse than 500,000. They aren’t selling enough copies, which means that the keywords you used aren’t going to sell you many books because the results aren’t producing what the readers are looking for. Also don’t try to compete with the books that are at the top of the rankings. They are probably being written by well-known authors, which means you stand little chance of your book being selected as the one to buy. You are looking for the “mid-range” results that will sell you around 10 copies a day. If you get momentum from that you will climb the sales rankings naturally and you may end up competing with the bestselling authors that way, which is a happy place to be.  Repeat this process until you have 2 or 3 phrases that are producing the sorts of search results you were hoping for. Now go to KDP and enter those phrases into the keyword boxes, replacing any keywords that you feel probably aren’t working for you. If you use “Publisher Rocket” (we do) these will be easier to identify. Finally, the hardest part of all – be patient. If you have chosen the right keywords, sales will come, and they will be better than the sales you have had before. If you don’t have the success you expected after about a month, then repeat the process, generating new phrases to try. Don’t try to change all 7 keywords in one go. You won’t know which ones are working and which aren’t, and you may delete keywords that were selling you a few books before you tried this. If your sales are worse than they were before you started then not only are your new phrases not working for you, but you may have deleted useful keywords and you need to reinstate them.  Now, before we go on to talk about subtitles, just a word about the section of the metadata that asks you if the book contains “adult” content. Amazon isn’t too clear on what adult content is and what it isn’t. Accordingly, Bryan Cohen advises that you click on “no” for that question. If you write books that are erotic, contain a lot of extreme violence or lots of strong swear words, then maybe you should click the “yes” option. But otherwise, your books may end up in the adults only dungeon (Bryan’s words) and not be seen by a lot of potential readers. Ask yourself this: “Would I be happy with my 14 year old child reading this book?” If the answer is yes, then no harm will come from clicking the “no” button as children below that age tend not to buy books, their parents do the buying so let them make the decision. Now, subtitles.  We hadn’t thought about these too much in the past and hardly ever use them, but it turns out we should have. Using a subtitle allows you to have an 8th keyword phrase in your metadata that Amazon can find when people do searches. Naturally, as the subtitle appears on the book’s sales page it needs to be grammatically correct, but it can be used to provide guidance to the reader about the book’s content, which may not be apparent from the title. For example, one of our sci-fi titles is called “The Magi”. For some readers that could be interpreted (despite the cover showing an image of a spaceship) as being a book about the Three Wise Men who visited Jesus in Bethlehem. But by adding a subtitle that says “A sci-fi action adventure” we are describing the book in a way that can’t be misinterpreted. Subtitles like that can be used for any book written in any genre. Again, using trial and error, generate some potential subtitles and put them into Amazon’s search bar and see what results they produce. If they give you a list of books that use the same or similar subtitle, which the blurb tells you are the same sort of books that you write and which have reasonable sales rankings, then you are onto a winner. If your books have been organised into a series on KDP, as they should be if they are a series, then don’t use the series title in your subtitle. That will appear in search results if a reader uses the series title as a search term. The series title appears on the sales page anyway so you will be duplicating the wording and that looks amateurish. You don’t have to include your subtitle on your book cover. If you use KDP’s cover creator, it will pull the subtitle through from the metadata if there has been no previous cover created, but you can delete it from the cover if you want to. If you designed your own cover, you don’t have to change it to include the subtitle. Just a note about paperbacks (and hardbacks). Once these have been published you can’t go back later and add a subtitle. However, if a search throws up your ebook, then the other buying options will also be shown on the sales page so readers will see that there is a hard copy option if they want it.  I have tried to cram into less than 10 minutes of reading what Bryan took an hour to say in his webinar, but of course he went into a lot more detail. So, if you want to know more, I suggest you contact Bryan through his website.
As well as selling training he also runs regular “author challenges” where he provides coaching for free, so you may care to sign up for one of those in order to expand on what we have discussed here. If you have enjoyed this blog, or found it informative, then make sure you don’t miss future editions. Just click on the button below to sign up for our newsletter. We’ll even send you a free ebook for doing so.  Why aren’t my books selling? It’s a question that we hear many authors asking, especially on Twitter (Good old Twitter – we’d be stuck for blog ideas without it it). Well, first some expectation management. There are a thousand reasons why a book might not be selling, so it is impossible to answer that question for any individual book in a simple blog. All we can do is look at some generalities and let you compare and contrast those with your book and your marketing to see what conclusions you can draw. But those generalities are important, as they may point you towards the single reason your book may not be selling. You will have to identify and address the precise issue, but at least you will be closer to the right answer than you would be if you hadn’t read this blog.  We are going to start with two assumptions. We will be discussing marketing later in the blog, but our starting point assumes that you have done some marketing, which has led to a potential reader finding their way to the Amazon page for your book. If you don’t sell through Amazon (Why not? They account for 80% of ebook sales!) then the same basic messages apply to other on-line book selling sites. The second assumption (and it is the big one) is that your book is actually up to the required quality. Your Beta readers will have told you that. Sadly, your family and friends probably won’t tell you if it wasn’t, because they don’t want to hurt your feelings. If you haven’t used Beta readers, or you haven’t acted on Beta reader feedback, you are entering a lottery and nothing we can say will change that. You may find it helpful to have your Amazon (or whatever) sales page open in another tab, so you can flip between it and this blog to see what we are talking about. So, what is the first thing a potential reader will see when they click on a link to take them to your book’s sales page? Cover image  We blogged about cover design just a couple of weeks ago, so we aren’t going to go over that ground again. I think it is safe to say that if your book showed up in someone’s search results, they must have found the cover appealing enough to click on the link or they wouldn't be looking at the book's sales page. But what if they didn’t click on the link? If you have been running an advert for your book, you will have data from the results to tell you how many clicks you got (a 10% conversions rate is good). If you aren’t getting enough clicks, your cover design may be part of the problem. But if you haven’t run any ads, you won’t know. You may want to scroll down and read that blog about cover designs, just in case.  Title A lot has been written about titles, with many gurus suggesting titles should be short. All we can say is that “Dune” was a best seller and so was “The Curious Incident Of The Dog In The Nighttime”. You can draw your own conclusions with regard to the impact of title length on sales. We don’t think it is a critical factor unless you have used words that might alientate the reader. Price I’ve said it before, but I’ll say it again, if you aren’t J K Rowling, you can’t charge J K Rowling prices for your books. The ability to set their own price is one of the few competitive advantages that the Indie author has, so they need to use it. “I’m not going to under-sell my talent.” is an objection that is often raised when I say that.  OK, here are the facts. A mainstream published author only gets about 10% of the royalties from each sale. So, for a 9.99 ebook (forgive the lack of currency, it just saves me having to provide $, £ and other conversions), the author will only get about 1. But for a 5.99 ebook an Indie author will get between 1.75 and 3.50 (approx) depending on whether they took the 35% or the 70% royalty option. So, who is underselling their talent? The mainstream published author makes their money not from individual sales, but from total volume of sales. That is as much about having a big marketing budget as it is about having talent. Even some pretty bad writers (naming no names) can sell a lot of books if they have a big enough marketing budget behind them. You, on the other hand, aren’t making any sales, so no one knows about your talent and, if you insist on charging 9.99 for your books, they may never know about it. I’m actually surprised that more mainstream authors don’t opt for self-publishing once they have established their name – they would make far more money. Blurb After price, this is the next crucial part of the sales page. If the reader is intrigued by the book’s blurb, they will either buy the book, or take the next step towards buying the book, which is to read the “Look Inside” portion. There are many blogs about blurb writing available, including some of our own and they all say pretty much the same thing. There are even books the subject (try Bryan Cohen’s). Google “How to write a good book blurb”, read what the blogs have to say and then make sure your own blurb is doing its job. If it isn’t, change it. “Look Inside” feature. If you have got the reader as far as looking inside the book, you are 90% of the way to making the sale. But it’s that final 10% that is the killer. If the “Look Inside” sample captures the reader’s interest, the sale is guaranteed. If it doesn’t then the reader will go and look somewhere else for their next book.  Once upon a time authors were permitted to take their time telling their story, using the opening chapters to create atmosphere and develop characters, before having to think about “inciting incidents”. Films, TV and computer games have changed all that. Nowadays you have to capture the reader’s interest within the opening few pages of the book and the “Look Inside” portion aids and abets that approach. If you fail to capture the reader’s interest, that 90% is all for nothing and you don’t make the sale. So, ask a few people, who you trust to give you an honest opinion, to read that “Look Inside” portion and then get them to tell you if they would buy the book if they didn’t know it was by you. It may still not provide a definitive answer, because they may not want to hurt your feelings, but if they are really good friends and really trustworthy, they will be honest. Reviews If the “Look Inside” portion of your book has done its job, readers may never look at the reviews it has been given. I almost never look at reviews myself, having made my decision based on the above factors. But some people do look at reviews, which is a problem if you don’t have any. You can pay for reviews. I’m not recommending it, but it’s your money. If you want to pay, that’s your call. But the real problem is bad reviews. There are two things to be done if you have a lot of bad reviews. A good reviewer will be helpful and provide reasons why they didn’t like your book, so learn from that. The first thing to look at, therefore, is what the reviewer said and then fix the problems. But that won’t get rid of the bad reviews, so there is a second thing you may need to consider. You may wish to “unpublish” the book from Amazon and re-launch it on another self-publishing site, such as D2D. The reviews on Amazon will no longer be seen and the book will start off on the new site with a clean slate. If you are already on multiple self-publishing sites, you really are stuck. Also, if you have bad reviews on Goodreads and other review sites, there is nothing that can be done about those. You may have to unpublish the book entirely and start anew by writing a brand new book. But use those reviews to learn from your mistakes, so the new book doesn’t suffer the same fate. An author who refuses to learn from their mistakes (or even admit they made any) will never sell books. Marketing  We said at the top of the blog that we would be discussing marketing, so here we are. However, this is too vast a subject to cover in one blog. We have written more blogs on this subject than on any other and we are still only scratching the surface in many aspects of the craft. The best thing we can advise is that you undertake some free training in marketing to help you market your books effectively. Effective marketing comes from knowledge, not luck. What we can do is summarise some of the key messages we have put out about this subject in the past. 1. No one is going to stumble on your book by accident. Marketing is not a choice – it is an essential. 2. Did you put the right “keywords” in into your book’s details on KDP? The most common way for people to find new authors on Amazon (or any site) is through searches using keywords. 3. Social media was a better marketing tool in the early days but is now largely past its “sell by” date.  4. Blasting out Tweets to try to sell your book doesn’t work, so don’t pay people to do it. Social media users just scroll past those Tweets nowadays – or they block the username.
5. Social media is still a useful tool if you remember to use the "social" part correctly. 6. Paying for marketing services is an option – but only if you know which service is going to work for your book. You can’t cure a broken leg by taking an aspirin, so you have to know what is wrong with your marketing strategy before you pay someone to fix it, otherwise you risk trying to fix the wrong thing and throwing your money down the toilet.. 7. We’re sorry to have to be the bearers of bad news, but if you really want to sell books you are probably going to have to pay to advertise. We have found Amazon Ads and Facebook Ads to be the most cost effective. If you want to read any of those myriad blogs we have written on the subject of book marketing, you can find them in our archive. So, have you some inkling now about why your books aren’t selling? Maybe you haven’t found the final answer yet, but I hope we have shone a torch into the dark corners where you might find the final answer. If you have enjoyed this blog, or found it informative, then make sure you don’t miss future editions. Just click on the button below to sign up for our newsletter. We’ll even send you a free ebook for doing so. |
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