 I think it is fair to say we get a lot of our ideas for blogs from Twitter and other social media sites, especially those used by authors. Be careful what you post, because you might well get a mention here. Not by name, of course. We would never do that. So it is this week, with a Tweet we saw a few weeks ago from an author (we sometimes write our blogs several weeks in advance of their publication). The Tweet was actually in two parts. The first part related to the way an author’s book sales had fallen off over recent weeks. By ‘sales’ we also mean KENP read using KindleUnlimited etc. A blog we posted a couple of weeks ago covered some of the reasons why sales vary on a seasonal basis, so we won’t cover that ground again (scroll down a bit if you want to find out more). But, of course, it’s not just the season of the year that affects sales.  We like to think of book sales a little bit like the way we think about tending houseplants. If you give a houseplant just the right amount of attention at just the right time, it should flourish. Well, a healthy plant in a disease free environment should live a long and happy life if it is given the right care and attention. But if you don’t give the plant the right care, or enough attention, or you give it at the wrong time, it will die. The same applies to giving it too much attention. The phrase ‘killing with kindness’ may have been invented for houseplants (if it wasn’t, please don’t email to tell us – put it in a blog of your own).  So it is with marketing a book. Given the right attention at the right time, your books should still sell even if seasonal factors are against you. That’s providing they are readable, of course – it’s hard to sell a poor quality book, ie one that has a ‘disease’. If you don’t do enough marketing or you do it at the wrong time or in the wrong way, your books won’t sell. And you can do too much marketing, killing the book with kindness so to speak, because readers get fed up with seeing your marketing efforts. Our response to the Tweet we saw was to suggest the author think about taking a look at her marketing strategy to decide what might be needed to lift her sales. The second part of the Tweet was about the author’s fixation with checking her sales data on KDP. She seemed to be looking very five minutes (I may be exaggerating) but she knew it wasn’t healthy.  For Indie authors I can quite understand the need to constantly check sales data. Sales provide validation for the author that their book is ‘good enough’. An author who has an agent or a mainstream publisher doesn’t need that sort of validation. They have already had their fix by getting the agent and/or the publishing deal. But for Indies there is little other than sales data to tell them that readers like their books. Reviews are the other form of validation, of course, but they are opinion based and therefore subjective, whereas sales data is empirical. Numbers don’t have an opinion. To paraphrase an old business saying: reviews are vanity, sales are sanity.  You don't fatten a pig by weighing it. But you don’t fatten a pig by weighing it, as the saying goes (apologies to vegans, Jews and Muslims). Weighing your pig tells you if it’s gaining weight, but if you aren’t using that information to adjust your pig’s diet, then knowing its weight doesn’t achieve anything. OK, it’s a heavy handed metaphor (it was a heavy pig) but it makes the point. Knowing your sales data doesn’t sell more books. Knowing your sales data tells you whether or not your marketing strategy is working. If you aren’t making sales, or not as many sales as you think you should be making, then that is telling you to look at your marketing strategy so you can change it to make more sales. But if you make changes to your strategy, you have to give them time to work. Checking the figures every five minutes doesn’t help. It may just lead to frustration and, in extreme cases, it may actually be harmful to mental health.  By marketing strategy, we don’t just mean your advertising or social media posts.
Book covers and blurbs can both have an effect on sales and need to be quality checked to make sure they are doing their jobs. The “look inside” feature on Amazon is also part of your marketing. If you don’t capture the reader’s imagination in those few free pages, you may not make the sale. The way you word your social media posts, what sort of images you use and a whole raft of other considerations also play their parts. We blogged about all of that last autumn, so we won’t go into those again today. If you want to know more, check out our archives under the "marketing" heading. So, Indie Author who inspired this blog, we hope we have reassured you that checking your sales data is actually quite normal. But we hope we have also encouraged you to take the information provided by that data and make use of it, so that your sales will look after themselves and you don’t have to check them so often. If you have enjoyed this blog, or found it informative, then make sure you don’t miss future editions. Just click on the button below to sign up for our newsletter. We’ll even send you a free ebook for doing so.
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 Here at Selfishgenie we try not to mention politics or religion in our blogs. It’s not that we don’t have opinions on those subjects – we’re human (honest, we are) so of course we have opinions. No, it’s that if we express our opinions we are pretty sure that we will alienate a considerable number of our readers. It doesn’t matter which side of the discussion we are on, we are going to alienate the people who are on the other side. And that is bad for business. If we alienate people, they may decide that they want to punish us for our views by not buying the books we publish.  Are you opening a can of worms? If they do that, however, they aren’t just punishing us, they punish our authors and that’s wrong, because those others don’t necessarily share our views. In fact, I know of a couple of our authors that have opposing views, but we manage to get along amicably anyway. So, the people that are trying to punish us actually end up punishing people who agree with them. It’s a strange world, isn’t it? But, of course, that brings into question how Indie authors handle politics and religion, and it can be very bad for sales. I include in this views on climate change, race, homosexuality, transexuals, conspiracy theories, vaxxing, and a wide range of other issues which have political or religious implications.  A poisonous mixture! Every time we post something on social media, it tells the world a little bit about us. And some of the things we say have the power to alienate people. It doesn’t matter that they are our sincerely held beliefs. It doesn’t even matter that what we say may be true. All that matters really is that it has the power to affect book sales. I know there are authors who struggle with this. They have strong beliefs and they want to express them either to support or oppose whatever it is their beliefs are about.  But some of the people who take an opposing view read those Tweets and think ‘I don’t agree with them, therefore I won’t enjoy their books if I bought them, so I won’t buy them’. It may be an absurd view, but that doesn’t stop people taking it. I once overheard someone say that if they had known that a certain author held certain political views, they would never have bought their books. The person they were talking to asked them if they had actually enjoyed the books, to which the first person replied that they had. You see how ironic that is? Even though they had enjoyed the books, they wouldn’t have bought them if they’d known the political views of the author. Absurdity in the extreme. But I’m pretty sure that person isn’t an isolated example.  Then there are the political “discussions” people get embroiled in. Some of them get quite heated; insults get thrown around and generally the people involved never come out of it looking good, no matter how valid their arguments. Again, if one of the participants is an author, it won’t help their brand image. No one knows how many people are viewing those social media arguments and taking note of what is being said, so the people involved never know how much harm they are doing to their “brand”. And, of course, it is there forever. Even if it is deleted by one of the parties, it can still be found on a server somewhere.  Some people would rather burn books than read them - even yours. The other side of this coin is the expression of political or religious views in books. There are times when that is appropriate for those to be featured in novels, of course, but there are times when it isn’t. It is possible for some books to use sensitive subjects and become bestsellers, such as “To Kill A Mockingbird” and “Last Exit To Brooklyn”. However, it isn’t possible to know in advance how books featuring these topics will be received and for every Booker/Pulitzer prize winning bestseller there are a thousand books that sink like lead balloons.  If you are writing books aimed at a specific audience who are likely to share your views, then writing about religion or politics (or the rest) is perfectly OK. You aren’t going to alienate people who agree with you and it doesn’t matter if everyone else is alienated because you don’t expect them to buy your books. And you will soon find out how many people support your views from the number of sales you make. But if an author is trying to find a broad audience who have a wide range of views on politics and religion, including sensitive topics in novels has the power to make the reader throw their book at the wall and you can be sure they’ll never buy another one by the same author. So, there are two different bear traps to consider when you are writing your book.  If you are a big name author you can probably ride out the storm created by expressing your views in public. I could list a dozen authors who have created social media storms on a range of issues and their careers haven’t suffered. However, I know of one big name who can't now get a job cleaning sewers because no one will employ him anymore. He’s an actor. He made his political views public and it has ruined his acting career. Can you, as an Indie author, take that risk? Your career could be over before you’ve even sold your first book. Not only that, but everything you say on social media remains there forever, somewhere, lurking and waiting to be exposed by someone with an axe to grind. When you are better known, as we all hope to be, it can also come back to haunt you. Even if you have modified your views over the years and you no longer believe as you did back in the day, no one will believe you. After all, we all know that leopards can’t change their spots, don’t we?  Of course, people can (and do) change, but the people who are out to embarrass you will assert that you haven’t changed, and other people will listen to them because it will be hard for you to prove that you have changed. The only way you will be able to restore your reputation will be to hire a very expensive PR agency to give your public image a make-over and nobody wants to have to spend that sort of money. As I said, it doesn’t matter which side of the argument you are on, the people on the other side of it will either stop buying your books or, worse, will try to take you down for having the temerity to express your opinions. Of course, there are times when you can introduce politics into novels with broad appeal. For example, in novels set during the 1930s and 40s, making your protagonist an anti-fascist is fine. Similarly, for books set during the Cold War it would be OK for them to be anti-communist. But those are areas where there is broad agreement that the relevant regimes were evil. They are the exception, not the rule. And if there are readers who think those regimes weren’t evil, you probably aren’t too bothered about alienating them.  In political thrillers it may seem obvious to align your characters to a political party, but that way lies madness. No matter on which side you place them, someone is going to take offence, especially if it is hinted that everyone who supports a similar political line is tarred with the same brush. Make a politician corrupt or venal and suggest that they belong to party X and not to party Y, and you are bound to upset all the supporters of party X. That could be up to 50% of the reading public in some countries. Making religious figures corrupt or evil is just as bad.  One of our authors wrote a political thriller and left the actual politics ambiguous. After all, personal greed and ambition are not limited to one party or another, because it is the individual that is greedy or ambitious.
A study of scandals relating to the conduct of individual politicians will reveal that no party ever comes out of things squeaky clean. (We’re not going to name names, for the reason with which we started this blog). So, when it comes to politics, religion and other topics where people are divided, if you decide to dabble, either on social media or in your books, take care because you are entering shark infested waters. And if you feel you really must nail your colours to the mast on social media, write under a pen name so no one knows who you really are, or use a fake name on social media. If you have enjoyed this blog, or found it informative, then make sure you don’t miss future editions. Just click on the button below to sign up for our newsletter. We’ll even send you a free ebook for doing so.  Big news - we have recently put some of our titles onto Draft2Digital. We decided to do this because, by keeping them exclusive to Amazon, we were actually narrowing our sales channels when we should really be going wider. Not everyone uses Amazon to purchase their books, so we were losing quite a lot of opportunities to offer our titles to those people. There was one advantage to using Amazon. That was their KindleUnlimted (KU) programme. We get a lot of downloads through KU and they account for a significant proportion of our revenue. But if we put our ebook product onto other distribution platforms, we aren’t able to use KU, so we risk that income. And yes, Amazon do check the other retailers to make sure we aren’t cheating.*  So, we analysed our income by title and it didn’t take a lot of time to realise that many of our titles aren’t read using KU, though they are purchased in ebook or paperback format. For some reason those books don’t seem to attract KU readers. Five of the titles are non-fiction and that may have something to do with it. The remainder do get the occasional KU download, but not enough to justify us making them exclusive to Amazon. OK, back to basics; just who are Draft2Digital (hereafter referred to as D2D)? Basically, they are similar to KDP in that they allow Indie authors and small publishers like ourselves to upload their books to them, which they then distribute to retail channels. They also offer formatting services, cover creation (not cover design as such) and a few other whistles and bells. But their big selling point is that they distribute books through a wide range of on-line retailers.  How many? Here’s the complete list (at time of writing): Apple Books, Barnes & Noble, Kobo, Scribd, Smashwords, Tolino, Overdrive, bibliotecha, Baker & Taylor, BorrowBox, Hoopla, Vivlio and Palace Marketplace. They will also distribute via Amazon if your book isn’t already on there, so it really is a “one stop shop”. Several of the companies listed above are aimed at the book borrowing market rather than the retail market, so in that respect they are similar to KU. I’m not suggesting that is 100% of the on-line book market, but it is a lot more than Amazon by itself. If you are considering distributing your book as an audio title, they also offer audiobook services, including helping you to find a narrator. This service may be cheaper than ACX.com, but only marginally (see previous blogs on the subject of audiobooks).  So, what is D2D like to work with? First of all, using the files we had already uploaded to Amazon caused us problems. Any reference to Amazon in the MS caused it to be rejected, as did references to ebooks in paperback MS’s. As we often insert a preview for another book at the end of an MS, with a link to its Amazon sales page, this meant having to go back and remove those references and links. You may also have to remove contents pages if you want D2D to insert a contents page complete with hyperlinks. The same applies to copyright pages, dedications etc. however, you can opt to use the ones that are already embedded in your files.  If you already have a cover for your ebook then it will probably upload OK to D2D, but when we uploaded our paperback covers we had some rejected because the back cover blurb was “blurred”. We had used shadowing behind the text and D2D’s quality bots couldn’t handle that. They also reserve more space for an ISBN than Amazon, so if any text encroaches into that space it will result in the cover being rejected. Paperback covers also have to conform to the D2D standard trim size, which is 5.5 x 8.5 inches (14 cm x 21 cm). If your covers are bespoke, created for you by a designer, you may have to go back and get them to adjust the size. However, if you created your own cover using packages such as BookBrush, you can alter the size yourself (don’t forget to adjust the positions of the text). I guess that sort of thing is all part of the learning curve for a new app, but it was frustrating and continues to be so as we have to change our cover designs and edit our MS’s in order to overcome these issues.  What about royalties? As with Amazon, you can set your own price for your books, which means you have control over the amount of royalties you receive once D2D and its partners have taken their share of the sale price. Unlike Amazon, which has two options for royalty percentages, D2D has only one, which is the sale price minus distribution charges. You also have the capability to run price promotions for ebooks and you can price your book to make it free, but not on Amazon. The price for Amazon will automatically be set to a minimum of 99c (99p). What is worth noting is that the printing costs for paperbacks seem to be much higher on D2D, which makes them less competitive than Amazon. To reduce the price to what you may have set on Amazon, you would have to reduce the amount of royalties you earn. In some cases it may not be possible to price-match to Amazon and still earn any royalties at all. Conversely, you could increase your paperback prices on Amazon, but that may make them less competitive compared to works by other authors. If you aren’t as famous as J K Rowling, you can’t charge J K Rowling level prices.  In terms of marketing tools, D2D has a partner site called Books2Read (hereafter referred to as B2R). It's basically a resource for readers to use to find books they may like. When your book is published its details are automatically copied across to B2R along with a “universal book link” (UBL) that allows the reader to go direct to their preferred retailer in their preferred country to buy the book. One of the tools B2R offers to authors is “new release notifications”. These are automated emails sent to readers who are registered on the site and who are signed up to your profile, so once you have uploaded your book, this tool helps your readers to find it. This is something I think gives D2D a real edge over Amazon, because any marketing you do through them has to be paid for.  OK, it’s a one shot deal, but one shot is better than no shot at all. It’s also fully automated, so you don’t have to do anything except register your book for the notification system and D2D has a pop-up for that which appears when you press the "publish" button.. You’ll know when the email notification has been sent, because you’ll receive a copy. Other than B2R there are no real marketing tools for you to use. They don’t have an equivalent to Amazon Ads, which is a shame. Somehow I think D2D is missing a trick here and is also limiting the ability of authors to market the books they have so painstakingly uploaded onto their site. On the other hand, it does create a “level playing field” for all their authors, because you can’t “buy” success through advertising. Everyone has the same chance of being discovered if readers are looking for their genre of books. Of course, you still have the option to advertise your books using other channels, such as Google, Facebook, Twitter et al. Make sure you include the UBL in your advert so that readers buy it through D2D rather than go looking on Amazon.  So, has this switch resulted in thousands of new sales?
Well, it’s early days yet. What I can tell you is that we had sales within days of uploading our first book to the site. Not many, I’ll admit, but sales are sales and we hadn’t done any marketing work for the book. Readers found them for themselves and that rarely happens on Amazon. We’ll let you know more when we start to get some results worth talking about. In the meantime, check out D2D for yourself and see what you think. It costs nothing to look. * We know Amazon (actually their bots) goes looking, because we got a “cease and desist” email from them for one of our books which was uploaded to Smashwords some years ago and we had forgotten to take it down when we enrolled the same title on KU. Amazon threatened to withdraw our earnings for the book if we didn’t unpublish it from Smashwords. They’d actually found the book on the Barnes & Noble website, who Smashwords were using as one of their distributers. If you have enjoyed this blog, or found it informative, then make sure you don’t miss future editions. Just click on the button below to sign up for our newsletter. We’ll even send you a free ebook for doing so.  Timing is everything in life, but even more so for Indie authors who are trying to promote their books on a limited (or even zero) budget. Here at Selfishgenie we track our sales on a day by day, week by week, month by month basis so that we can work out when is the best time to advertise our books. Some days we see more people buying books than on other days, so they are the days we want to advertise, so that we can catch the readers' attention on the days when they are buying. That doesn’t mean to say we don’t advertise books on other days. After all, people are all unique and each person has their own shopping habits. But we know that, in broad terms, there are days when more people buy books than other days. Those are the days when we may consider increasing our advertising spend. I’ll go into why those variations exist in a moment.  By tracking people’s book purchasing habits over a longer period of time we can also work out when to do promotions. Again, I’ll go into why that may be in a moment. But that same timing issue extends to when we should launch our books. There are some months of the year when it is better to launch a book than others. I’ll be talking about the UK here, but the same rules probably apply wherever you live. All you have to do is adjust to suit your calendar. June and early July are a good time to launch a book in the UK. Why?  Because the majority of people take their vacations in July and August and will be looking for something to read while they hang around in airports, sit in their aircraft seats for several hours and then lounge around the swimming pool at their destinations. For some people this may be the only time of the year when they actually have time to read a book. This is particularly relevant for the ebook market, because no one ever takes enough books with them on holiday, so they’ll be logging their Kindles into the hotel Wi-Fi to buy even more books for the second half of their holiday and for the return journey.  Children's books - yes for July, no for January. Children’s books are especially popular at that time of year, because parents are desperate to keep their children occupied while travelling and during the school holidays. The first quarter of the year, on the other hand, is very bad for children’s books because (a) they are back at school, (b) they still haven’t read all the books they received from loving relatives at Christmas and (c) money is tight during the first quarter (see more below). If your books are aimed at the older reader, you will probably want to launch your book in August, because all those grandparents who have been on child minding duty over the long summer holiday period are suddenly free to go on holiday themselves in September, when the kids go back to school. I know, because that’s when I go on holiday and the hotels I go to appear more like old folks’ homes than holiday resorts. There are very few people there who are under fifty and those that are there either have no children or have children who are still too young for school.  Here’s a tip for you, if you write books in a series. Take a paperback copy of Book 1 with you when you go on holiday and leave it in the hotel (most hotels have a shelf of books for people to borrow). You may snag a new reader for the rest of the series that way. Obviously the seasonal issues mentioned above are applicable to advertising spend as well as book launches. In November and right up to mid-December 2022 we promoted our golf book as a Christmas present for golfers and made quite a few sales that way – more than the whole of the rest of 2022 put together. If you want to know more about the best time to launch your books, broken down into genres, we found this helpful article. But there are others if you do a search. So, what is the best time to advertise?  Books are a popular Christmas present, so giving your advertising a seasonal boost may pay dividends and, of course, we’ve already mentioned the summer season. Think about advertising romance in the run up to Valentine’s Day and promote books as a gift for Mothers’ Day and Fathers’ Day But what about routine, week-in-week-out advertising activity? We found Friday to be the best day of the week to advertise, as that is when people go to look for their weekend reading. Weekdays are generally “early to bed days”, both for children and adults, but at the weekend a lot of people catch up on their reading and to do that they need books. Hence higher sales figures for books on a Friday.  You can even refine that down a little bit if you want. Come lunchtime everyone is thinking about finishing for the week, so they may start browsing the book listings from lunchtime onwards, so you don’t need to spend so much money in the morning. Sunday evening is also a good time, especially for paperbacks. Come Sunday evening a lot of people have either finished their books or are getting close to finishing. The “forward planners” will be thinking ahead and looking towards the following weekend. Paperback readers will be ordering on Sunday evening so that their books are with them by Friday. At the other end of the scale we have noticed we get far fewer sales on a Saturday and a Monday. Saturday is probably slow because people have a lot of family things going on as well as shopping, sport and general leisure activities. Monday probably because people are back at work and won’t have much time to think about reading.  Certain times of the year are better than others for promotions. January and February* are the months when the Christmas chickens come home to roost and those credit card bills for all the holiday spending land on the mat. Energy bills are also at their highest. This means people have less money to spend and one of the places they can cut back is on their book purchases. We have seen consistent reductions in income during the first two months of the year since we started our business. So, this is a great time to do a price reduction or free book promo – especially free! Everyone can afford to buy a book that is free! Again, I’m talking to the series writers mainly. Give the first book in the series away at a reduced price, or for free, and there’s a good chance that if the readers like it, they’ll come back for the rest of the series -at the normal price - when they have a bit of disposable income in their pockets once more.  This is where you have to manage your marketing activity very carefully. No one can download a free book unless they know it is available. So, you have to be prepared to do some marketing. Social media marketing is free of course, but evidence suggests it is becoming less and less effective as a marketing channel.  Conversely, Amazon Ads, Facebook Ads, Google Ads etc are quite expensive, and you don’t want to spend a lot of money to give something away for free, even if you are going to get the money back later in sales for Book 2 onward. There is a happy medium and this is where book promotion sites come in. This year we used Book Reader Magazine and found them to be both cheap and effective. We are NOT recommending them and there are plenty of other, similar, sites who do the same job. You’ll find a list of some of them here. That site also offers some promo codes so you can reduce the cost. Book Reader Magazine cost us $15 (approx (£13) when we used a promo code and we got plenty of downloads as a result.  What was the outcome (because that is what is important)? During the first week of March we saw a massive surge in sales of the series we gave away. Some of that increase may have come about because people had a bit more cash available, but the majority of it is likely to be because they had downloaded Book 1 for free and wanted more of the same. It’s an 8 book series (so far) and we make a profit of about £3.50 per book. So, snagging one new reader that way not only repaid our investment, it gave us about an 80% profit.  I can assure you we snagged way more than one new reader. Regardless of the season you will need to continue with your advertising at other times if your books are listed on KindleUnlimited (KU). As it’s a subscription service, readers want to get value for money from it and you want the books they download to be your books, so you have to keep pitching to them. You can expect to see KENP page reads going up during January and February as readers opt not to buy books if they are already KU subscribers. Most mainstream publishers don’t use KU, so this is a great opportunity for Indie authors to get their books read instead. However, you may want to reduce your advertising spend a little to reflect the reductions you’re going to get in ebook and paperback sales during the same period.  At this point I have to add a “health warning”.
The results I’ve talked about above relate to the books we sell. You may want to analyse the sales data for your books to see if they conform to that pattern – or if they are different. We suspect that there will be similarities, but we can’t guarantee it. * Traditionally January and February were known by London taxi drivers as the “kipper season”. Kippers (a type of smoked herring) used to be a cheap food and taxi drivers ate a lot of them when their income was reduced during the first two months of the year. Presumably they would call it “pot noodle” season now. If you have enjoyed this blog, or found it informative, then make sure you don’t miss future editions. Just click on the button below to sign up for our newsletter. We’ll even send you a free ebook for doing so. This week, Selfishgenie Publishing hands over its blog to Robert Cubitt, one of our authors, who returns to tell us about his experiences in publishing an audiobook. All Views expressed are those of the author and do not necessarily represent the views of Selfishgenie Publishing.  Back in December 2022 I wrote a blog about dipping my toe into the audiobook market and whether it was right for Indie authors, given the expense of employing a professional narrator (starting prices are around £1,500 ($1,600)). You can find the original blog in the December 2022 archive. At that time, I promised to get back to you to talk about the outcomes, so here I am. I’d like to be able to report that I had a great response to the audiobook and sales were phenomenal, but I would be lying. I have made some sales, but they aren’t anywhere near as many as I hoped, or as they needed to be to recoup my investment.  I put the blame squarely on ACX.com, the platform that the books are distributed through. They are a subsidiary of retailing giant Amazon. They offer no assistance with marketing. This is remarkable, considering that ACX.com can only make money if authors are able to sell their audiobooks. Users of KDP will be familiar with the range of marketing tools that the site offers, including access to Amazon Ads. But there are no equivalents on ACX.com. Amazon Ads are available for audiobooks in the USA, but I don’t live in the USA and my audiobook isn’t aimed at the American market (but American and Canadian readers are welcome to listen to it - see below for more information). So, not much help here in the UK. But even if I wanted to sell my audiobook in the USA, that marketing channel isn’t accessible through ACX.com. There is no link from one to the other. BTW Chirp, the audiobook channel of the book marketing site BookBub, also operates only in the USA and Canada. So, not much use to us 400 million Europeans then.  The little bit of advice that is offered by ACX.com is in their blogs. I can sum it all up in three bullet points: - Find some reviewers, - Use social media (including paid advertising). - Pay audiobook promotion sites (but none are recommended so you pay your money and take your own chances). The only practical help they provide is a batch of promo codes for free giveaways of your audiobook, presumably to give to those reviewers that are queuing up to offer their services for free (sarcasm), but they offer no channel through which to distribute those, so once again the author is left high and dry.  The whole point of using Amazon Ads to sell a book is that the ads are targeted directly at people who are already looking for books to buy. The problem with advertising using social media is that people seeing an ad on the social media feed (a) might not be looking for a book to buy and (b) they have to leave their social media browsing in order to buy the book even if they are interested. Getting people to leave their social media browsing acts as a barrier to sales. If I, a humble amateur marketeer, know that you would expect the professional marketing people at ACX.com and Audible to know that too, and to follow the lead of Amazon to remove that "advertising by proxy" barrier to sales. But they don't. Or, if they do know it, they don't consider it worth the bother to do anything about it. I have to say I find this quite remarkable. After all, if the author can’t market their book, ACX.com doesn’t make any money from the book either. You would think they would be moving heaven and earth to help authors to market their books. Not only that, but the marketing activity itself can be monetised to produce revenue for them.  The faceless corporation. I don’t know who actually runs ACX.com and Audible, but they aren’t very business-like if they are finding ways of NOT making money. In addition, I have found their customer service to be less than professional. Their stock answer to every question or problem seems to be “try asking someone else”. Again, they seem intent on not helping their company to make money. I’ll give you an idea of just how unhelpful ACX.com is. After doing a Google search, I found this blog article (I couldn’t find it on ACX.com itself) about creating an Audible author page. Good idea, I thought. I’ll click the link and do that. The trouble was, there is no link. And I can’t find out how to do it through the Audible website because that is aimed at listeners, not authors.  So, unless you are very good at marketing your books, you will probably struggle just as much as I have with trying to find any listeners for your audiobooks if you distribute through ACX.com. Now, you may be questioning the quality of my book at this point. After all, nobody can sell a bad book, even in audio format.. A fair observation and if the ebook and paperback versions were selling equally badly, I would agree with you. However, that isn’t the case. Operation Absolom is my biggest revenue earner, and it is so successful that the royalties from it are what paid for the production of the audiobook in the first place. Given the level of investment required, you can work out for yourself how successful the book has had to be in order for me to make the decision to produce the audiobook.  There is a slightly cheaper option. Alternative self publishing book distribution site Draft2Digital (D2D) have their own panel of narrators who offer prices from around $135 (£120) per narrating hour, giving an overall cost of approximately $1,400 (£1,300) for a 300 page book. I haven’t used them for audiobooks (I have for ebooks and paperbacks) and if you do then you can’t receive the higher (40%) royalty rate from ACX.com if you also distribute through D2D. However, it does provide a wide distribution channel, so it may be something you wish to consider. If you already distribute an audiobook through ACX.com you can also put it on D2D (using the same audio files), but you will have to reduce your royalty option on ACX.com to the 20% level. But there are no marketing tools provided by D2D either, so you will encounter the same problems when it comes to helping listeners to find your books  So, am I advising Indie authors not to venture into audiobooks?
No, I am not. This is a growing market and Indie authors can gain an advantage by getting their books into audio before it gets too big and swamps us all. But I am advising Indie authors to consider how they are going to market their audiobooks before spending all that money, because you will get precious little help from ACX.com and D2D. If you can’t crack the marketing nut before you invest heavily in your audiobook, then it is probably advisable to proceed with caution. What about me? Am I giving up on audiobooks? No, I’m not. In fact, I’m doubling down. Book 2 to of the Carter’s Commandos series, “Operation Tightrope” is already live on Amazon, Audible and iTunes. . Again, I’m invested my royalties from my ebooks and paperbacks to cover the narration costs (more proof of their continuing success). Now I’m going to crack that marketing nut if it kills me. If I succeed, I’ll be sure to come back and let you know, so you can do it too. If you do decide that you want to get into the audiobook market, then I wish you every success. If you have enjoyed this blog, or found it informative, then make sure you don’t miss future editions. Just click on the button below to sign up for our newsletter. We’ll even send you a free ebook for doing so.  It is the dream of all Indie authors: to snag an agent or a publisher and get that elusive publishing deal. Yet so few Indie authors are able to fulfil that dream. But it is achievable, and it is probably easier than you think. However, it is also somewhat counterintuitive to do what is necessary to fulfil the dream. It may also require the author to make a few compromises. OK, if it’s that easy, tell us the secret, oh Selfishgenie. OK, we will.  The first thing you have to do is recognise that publishers hate taking risks with new authors. Risk threatens to reduce profits and there are stories in the industry of publishers being left with warehouses full of books because they took a gamble on a new author that didn’t pay off. These stories are probably apocryphal, but they are enough to give publishers nightmares. In that case how do new authors ever get signed? The answer to that is that it isn’t always the author themselves that represents the risk. It’s the type of book they are writing. The author may be the next Ernest Hemingway or Hilary Mantel in terms of the quality of their writing, but if they aren’t writing the sort of books that readers want to read, then they will never become bestselling authors. It is quite possible that in today’s market, Hemingway would also be unable to find a publisher because his type of books aren’t selling these days (my speculation, of course) Which is why new those authors represent a risk. This is where things become counterintuitive.  You may think that to get that elusive publishing deal your book has to be different from what is already out there in the bookstores. You would be wrong. It's the exact opposite. Your book has to be the same (or at least similar) to what is already out there. To de-risk their industry, publishers follow the reading fashions. If J R R Martin’s books are selling, then publishers are hungry for books just like his. If Lee Childs’ books are selling, then publishers will also be hungry for books like his. So, if you want to snag that elusive publishing deal, your books have to follow the fashion. By publishing books that are what the public is reading at that moment, publishers are able to de-risk their products Give the public what they want and they’ll come flocking to your door.  We already see this in cinema, of course. In the last decade, 5 of the top 10 box office hits were superhero movies, four of which were from the Avengers franchise and the 5th was Black Panther. Of the remaining 5 one was from the Star Wars franchise, another was from the Jurassic Park franchise and two more were Disney films, which are always popular. If that’s what the public wants, is it any surprise that we get so many superhero films, Star Wars films, Disney films et al? And the same applies to books. This desire to follow the fashion then feeds back to agents. If publishers want a particular type of book, then agents will want to find authors who are writing that type of book. Because it is easier, and more lucrative, to sign authors who are writing the sorts of books that publishers are looking for. So, sending an agent something different is not going to get you signed. Of course, going to Bloomsbury or Scholastic Press and offering them a Harry Potter clone isn’t going to help the Indie author. After all, those two publishers already have the original Harry Potter. No, you need to approach a publisher/agent that hasn’t got Harry Potter and offer them your clone.  At the same time as responding to fashion, publishers also create reading fashions. After all, if all the publishers are producing Harry Potter clones, then that limits the choice for readers, so they buy them even if they would actually welcome a change. We see this each year with clothing fashions. If manufacturers decide that green baseball caps are going to be “in” this year that is what they will produce, and they will pay “influencers” to get the public to wear them. Pretty soon all you will see will be green baseball caps! Then, next year, because everyone already has a green baseball cap, they’ll switch the colour and repeat the trick so they can sell more product. And we fall for it, so we only have ourselves to blame. Exactly the same methods apply with books. But you don’t want to write Harry Potter clones or Jack Reacher clones, do you?  You have your own story ideas and those are the ones you want to work on. You have “artistic integrity” and you won’t be dictated to with regard to your plots, your characters or your writing style. OK, I respect that. But artistic integrity doesn’t put food on the table. When you are a big name writer you have a bit of power that you can exert. Your name alone will sell books. That means your publisher is likely to be more flexible about what they will buy from you. And if they aren’t flexible, your name is big enough to open doors to other publishers who might allow you to write what you want, because you no longer represent a risk. You are “box office”, as they say in the movie making world.  It’s the reason why celebrities who can barely write their own names are able to get publishing deals. It’s not the quality of the book that sells it, it’s the name on the cover,. But you have to be a “name” first and that may mean compromise. Write what the publishers want now, so you are granted the freedom to write what you want to write in the future. So, what should you be writing right now in order to snag that contract? The answer to that is likely to change from month to month and year to year, which isn’t helpful. The best sellers list on Amazon will tell you what is fashionable right now as will the Sunday Times (or New York Times in the USA) best sellers list, but that won’t tell you what will be fashionable in 6 months’ time when your book is ready for querying. Fortunately, fashions in reading change quite slowly, certainly slower than they do in clothing, so you probably have time to get on the bandwagon with your next book. The top three genres (UK) to write in are Crime and Thrillers (33% of the market) , Fantasy Fiction (22%) and Action & Adventure (20%). There are, however, subdivisions below those headline genres and not all of them are as popular as others. But what you will probably notice is that the most popular books right now are character led, not plot led. Less popular at the moment are Modern Classics (No idea, but they are only 11% of the market), Horror (11%) and Short Stories (14%)* Some genres are so unpopular that their market share doesn’t even register on the graphs.  Some publishers do allow themselves to take a few risks. They look for good new writers and offer them publishing deals. However, they won’t throw a lot of money into marketing their book. At least, not the first one.
The first print run of the hardback version of Harry Potter and the Philosopher’s Stone was only 500 books, most of which went to libraries. That’s how much faith Bloomsbury had in J K Rowling for her first book. Fortunately it was the American market that saw its potential and made her the best-seller she is, while the UK market caught up later. So, yes, you might find an agent and a publisher willing to take a risk on you even if you aren’t writing whatever is fashionable. But it is probably going to be a harder furrow to plough. * Figures for 2020, the most recent we could find from a reliable source. If you have enjoyed this blog, or found it informative, then make sure you don’t miss future editions. Just click on the button below to sign up for our newsletter. We’ll even send you a free ebook for doing so.  Never judge a book by it's cover. Every picture tells a story. Which of those two old sayings resonates most with you? For us it's the second, because book covers are supposed to tell a story and there is no doubt that readers make judgements about them. So what story is your book covers telling? When readers do searches for books, or even when they are just browsing through the listings, what is the first thing they see? It is one of two things – either a book’s title or its cover. Sometimes it’s both because the title is on the cover anyway. I’m not going to talk about titles. There are too many theories about what makes a good title and, so far as we can tell, one theory is as good as another. Here’s one we found, but there are hundreds more. But the same can’t be said for covers. They have to convey so much information in a simple image and, sometimes, it’s easy for them to convey the wrong information.  Take the book on the right which was, until recently, the cover for the first book in our Magi series. We had thought it was quite a good cover, which is why we stuck with it when we signed the author. That was until we got a bit of feedback that told us we were way off track with it. Someone had emailed us asking if we would be prepared to provide a few paperback copies of one of our books for discussion by their book club. They were raising money for charity through a small attendance fee and income from tea and cake sales and, once the books had been read, they would be sold second hand, also to raise money for charity.  Happy to make our contribution, we happened to have a few spare copies of The Magi lying around the office, so I emailed her a synopsis and the cover image. We were quite taken aback when the lady replied “We are a church group and aren’t in the least bit interested in a book about BDSM. Thanks for the offer but we’ll go elsewhere.” (If you are an innocent type who is unfamiliar with the term BDSM, we don’t suggest you Google it). We were puzzled by this response, so we emailed back asking what she meant, to which she replied that with the leather clad lady on the cover, it was clearly a book of an erotic nature and that BDSM was implied.  We emailed back to assure her that the book had no erotic content at all (sorry if you are disappointed by that) and peace was restored, but the book still wasn’t accepted because, with that cover, they didn’t want to sell it on their second-hand book stall. But we had learnt a valuable lesson. The cover was designed by a previous publisher, with whom we are acquainted, and I feel certain that he had no intention of implying that the book had anything to do with BDSM. But, looking at it in light of that response from the book club, I could now see what the lady was getting at. And the image of the leather clad woman appeared on the cover of all 9 books in the series, and on the box set. It was part of the “branding” of the series.  Then there are the other two elements used on the covers. The inclusion of the image of a distant galaxy is appropriate as it’s a sci-fi book. That was also part of the series branding. The third element, however, in this case an “electronic egg” changed with each book in the series, to tie in with the plot of the book. With doubt now weighing us down, we started to wonder about that suitability of that egg image, too. What did it suggest to the readers?  So, we asked a few of our readers for their opinions. The general consensus was that it was confusing. How could you have an electronic egg? What would an electronic egg do? Why was the egg floating in space? Was it some sort of spaceship? What had the egg to do with the woman? Was that the way babies were born in the book? Well, if the cover was causing as many questions as that, it clearly wasn’t doing its job of selling the book. As it happens, the answers to the questions are contained within the book but, of course, no one was going to buy the book to find that out if they were confused about it in the first place. One thing we know is that readers don’t like to be confused before they even read the first page. In fact, it’s only the readers of crime fiction (and not all of them) that are willing to be confused by their books.  So, we decided that (a) the book’s image sent out the wrong message to some people and (b) it confused other people. Which was, perhaps, why the book and the series hadn't been doing as well as it deserved. It is rather good, as many sci-fi readers have discovered (but you would expect us to say that). So, we set out to create 9 new book covers that presented a less confusing message. In fact, all we wanted the images to say was “this is a sci-fi book”. One or two of them do hint at the content, the ones for “Cloning Around” (Book 4) and “Timeslip” (Book 5 – image to the left), but the others are a little bit more generic.  If they say anything it’s “This is sci-fi and weird stuff will happen”.
(BTW, you can find out more about the books shown on our "Books" page or by clicking on the images) So, what does your cover say about your book? Does it give out an unintentional message, the way ours sent out a BDSM message? Does it confuse the reader? Is it different enough to make it stand out from the crowd? Because that third question is also important. When readers do a search by genre, they get presented with list after list of books, which they then scroll through. The cover of your book has to stand out from the crowd if you want the reader to click on it and find out more. If the cover looks too similar to the ones above and below it, the reader’s eyes are going to slide right past. Yes, do be bold, be different; but make sure that the key message about your book is plainly understood from its cover image. If you have enjoyed this blog, or found it informative, then make sure you don’t miss future editions. Just click on the button below to sign up for our newsletter. We’ll even send you a free ebook for doing so. Disclaimer: We are not connected with Kindlepreneur in any way and have no financial interest in the product reviewed in this blog. This review has not been paid for by Kindlepreneur, Dave Chesson, or anyone else.  Not the real product's logo! Let me make it clear up front, if you only have one book published and never intend publishing another, you aren’t doing much marketing and you don’t intend paying for marketing, this product may not be of much use to you. But if you intend having a lengthy career as a self-published author, if you are planning to publish a series, or if you are a small, independent publishing house like us, then there is probably something here to interest you. Warning: This is a lengthy blog because for authors and publishers to understand the value of the product we are reviewing, they also have to understand the need for it. What need do you have that this product satisfies? You may not even know you have that need until you read this blog. Publisher Rocket is an aid to marketing and an aid to advertising using Amazon Ads and other advertising platforms. One of the things every publisher (I include self-published authors in that) has to know is which keywords to include in their book’s description in order for it to attract the attention of readers when they are looking for something new to read.  If you have ever uploaded a book onto KDP, you will know that you are allowed to enter 7 “keywords” into your book’s details. Actually, you can use more than 7 words, because you can enter “strings” of words. For example, you don’t have to limit yourself to “romance” as a keyword, you can enter “modern romance” instead and it will still only count as one keyword. When readers are searching for books to read they may use Google, other search engines, or the search bars of retail sites such as Amazon. Very often they don’t know exactly what they are looking for, so they can’t enter a title or an author’s name. Instead, they enter a word or string of words that describes (for them) the type of book they want. For example, as a fan of historical fiction, I may do a search using those two words. Or I might add “military” to the description because I like historical fiction set around military themes. Or I might use “World War II” as my search term. "they are wasting one of the 7 keywords that KDP allows them." If the author knows what search words the readers are using, they can make sure those words are included in their 7 keywords for their book’s description on KDP, so they are guaranteed to be found when a search is done, and the book will appear in the search results - though not necessarily near the top of the list. But authors also need to know which words not to include; the words that readers rarely use for searches. If the author uses them, then they are wasting one of the 7 keywords that KDP allows them.  The problem is, identifying which words the readers are using. It may not be the ones we think they are. You may think I’m talking about “Search Engine Optimisation” (SEO) and you are dead right – I am. Only we don’t need to use a fancy term like that, and we certainly don’t need to pay someone to do that for us. Manual targeting on Amazon Ads is the most cost efficient way of using that advertising platform. But it relies heavily on the advertiser (you) knowing how to get the best out it.  So many genres - but which one is the best fit for your book? The first type of manual targeting uses your book’s genre. Anyone who buys books in the same genre will have your book in their “recommendations”. Amazon Ads suggests the genres and you can delete any that you don’t think really apply. For example, Amazon Ads may suggest both modern and historical romance for your book, but your book can’t be both, so you can delete the one that doesn’t apply. But you can also insert your own genres. For example, if yours is a fantasy book with a strong romantic sub-plot, you don’t have to limit your advertising to the fantasy genre. You can add romance genres too. Do you know which genre listing on Amazon is going to be the best for your book? Some are better than others for getting your book seen and, according to Publishing Rocket’s publicity video, there are “hidden” genres too. For some genres you can even get to the number 1 bestseller spot by selling only a handful of copies. That is useful stuff to know – but how do you find out which genre(s) you should be advertising to? Read on to find out. By the way, did you know that you aren’t limited to just 2 genres on KDP? That only applies when you first upload your book. Once it is published, you can select up to 7. You need an account on Author Central and then you need to go to Help>Contact>Amazon Store & Detail Page>Contact us>Amazon Book Page>Update Amazon Categories.  The second type of manual targeting uses keywords. Amazon Ads tutorials suggest using between 100 and 150 keywords (or keywords strings) in an ad such as this. If you struggled to come up with 7 keywords for your book, how are you going to come up with 100-150? Well, using author names and the titles of similar books is one way. But whose books and which titles? Which is where Publisher Rocket comes in. OK, it took a long time to get here, but if you don’t understand the basics of Amazon (or other platform) advertising, you aren’t going to understand the value of this product. What Publisher Rocket does is gather together the search terms that are used on Amazon and presents them to you for your consideration. But it also does much more than that. It also provides data which tells you which of those terms is best at turning advert “clicks” into sales. "Publisher Rocket helps to sort the wheat from the chaff"  Not all search words are equal, you see. Sometimes the reader enters fairly random words into the search bar and therefore the results they get back don’t provide them with what they are looking for, so they have to have another go. But if the reader clicks on a book out of curiosity, those random search words still appear as results, so it is essential to know that they aren’t that useful, so as to exclude them. Publisher Rocket helps to sort the wheat from the chaff by providing the user with a wide range of data that they can download into a spreadsheet to filter and sort to their heart’s content to answer the vital keyword questions they may have. The one thing they don’t want to do is pay for clicks on their ad which won’t be converted into sales. Just because they and Isaac Asimov both write sci-fi, it doesn’t mean that their readers and Isaac Asimov’s readers like the same sort of books. They may want to exclude that name as a keyword for that reason, so that they don’t pay for clicks from curious Isaac Asimov readers who aren’t going to buy their books.  OK, if that sounds complicated, that may be something for just the real data nerds to get into. For the rest of us, Publisher Rocket provides us with some simpler tools to use to find words that are good to use for our books, by genre, and what aren’t so good. Using the app is easy enough, but Publisher Rocket’s owners make it even easier by providing “how to” webinars to guide you through the various functions and offer advice on how to get the best results. The owner of Publisher Rocket is a company called Kindlepreneur, a company created by self-made Kindle millionaire Dave Chesson. This isn’t their only product, but it is the one we have found to be most useful in helping us to increase the efficiency of our advertising campaigns. If you saw our blog last week (see below the end of this blog), you will know that this is something we have been focusing on in recent months and it has paid off for us. Publisher Rocket costs $97 (around £85) for a lifetime subscription, which is why it may not be suitable for people who only ever plan to publish one book and who don’t intend getting into marketing. In other words, it isn’t any use to an author who doesn’t want their book to be read. Those that do want their books to be read may find it more useful. "As a publisher this was a no brainer for us" But even if you only have one book, the purchase price could be paid back quite quickly (it is the equivalent to approximately 50 extra sales) if you use the results to improve your advertising efficiency. As a publisher this was a no brainer for us. We bought Publisher Rocket in November last year and it had paid for itself by Christmas. We don’t use it every day, but when we do use it we know we are going to get the most bangs for our buck out of our advertising. So, if you need some help with your Amazon Ads, this product may be just the thing and we are happy to recommend it. If you want to know more about the product, click here. If you have enjoyed this blog, or found it informative, then make sure you don’t miss future editions. Just click on the button below to sign up for our newsletter. We’ll even send you a free ebook for doing so. Disclaimer: We are not connected with Bryan Cohen in any way and have no financial interest in his book. This review has not been paid for by Bryan Cohen or anyone else.   This book probably represents the best £3.99 I have ever spent since I started publishing. That is because it’s a book that actually paid for itself several times over. I would go so far as to say I wish I had read it 5 years ago, as it would have saved me a lot of time and money. That isn’t actually possible, as the book was only published this year, but you know what I mean. This article will be half book review and half blog. The blog part tells you what happened when we tried to apply the ideas and methods that Bryan Cohen recommends in “Self-Publishing With Amazon Ads”. Some of you may just want to know how that worked out, so that bit is at the end of the article. "You’ll have to find out the hard way that there is no such thing as “instant gratification” when it comes to marketing a book." If you are still reading this now, and haven’t scrolled down to find out what happened, you have one of the key qualities that Bryan Cohen talks about in the book: patience. Cohen doesn’t promise instant results. One of the first things you will learn from this book is that generating consistent results from Amazon advertising is a marathon not a sprint, and if you aren’t prepared to be patient then this may not be the book for you. You’ll have to find out the hard way that there is no such thing as “instant gratification” when it comes to marketing a book. If you have never used Amazon Ads, or you have only just dipped your toe in the water, then you will be at a bit of a disadvantage, as Cohen assumes some prior knowledge. But don’t worry. That prior knowledge is available. Amazon Ads provides webinars for its new users here. "helping authors to reduce the amount of money they spend while also getting better results" A word of caution about the webinar. It is aimed at encouraging you to spend money with Amazon Ads. After all, Amazon Ads is a business and it makes its profits from its users, so the more money users spend with them, the more profit Amazon makes. Bryan Cohen’s book, however, is aimed at helping authors to reduce the amount of money they spend while also getting better results. This means that some of Cohen’s advice on bidding strategies contradicts that of the webinar. And if you are wondering what a bidding strategy is, it means that you need to do the webinar before you dive into this book. Just a quick word about the author. He is a self-published author himself and he also provides self-publishing training and other services for authors through his website Best Page Forward. But not all the training he provides has to be paid for. Each quarter he hosts the 5 Day Amazon Ads Profit Challenge, which is free to join and which has provided coaching for over 25,000 authors. "She challenges Cohen at every turn" Each chapter in the book takes the reader through a different phase of a process that starts with poorly performing ads and progresses to turning those ads into high performing ones. Each chapter therefore introduces a new idea or method, so if you try to skip ahead to the “good bit”, where you are making millions, you are likely to miss out on a vital step which means your objective won’t be realised. See, once again you have to be patient. Just something to note. Early in the book Cohen talks about creating 5-10 ads a week. This is for the benefit of American readers, because Amazon.com allows readers to create customised ads and advertisers are encouraged to create several different customised ads a week to appeal to different segments of the market. That facility doesn’t exist for users of other Amazon markets (yet). For us, the Amazon page for our book is our ad. That is actually a timesaver for us, because one ad can run forever. However, the rest of what Bryan talks about is completely valid and if we ever get access to the customisation function, we'll be ready for it because we've read this book. Each chapter is broken down into two parts. One part is a “fly-on-the-wall” view of an on-line coaching session with one of Bryan’s clients, a woman called Erin. The other part is Bryan speaking directly to the reader to explain what he is teaching Erin. I don’t know if Erin is a real person or a composite character created for the reader’s benefit, but she is the person who asks the questions that the reader might want to ask. She comes to the course as a sceptic and has to be shown that the process works by actually implementing the methods herself so that she can see the profits from her ads increasing over time. And Erin isn’t a passive student. She challenges Cohen at every turn, especially on the issue of how long it will take to see returns and how she is going to fit in the time to do what he recommends. Because, as with all things, time is one of the most valuable resources we have and, as writers, we’d rather be spending our time writing than marketing. But Cohen is ahead of Erin here as well and there are specific sections on time management. "only a handful of people will ever achieve 6 digit profits" One of the things I liked about the book is that it is grounded in realism. When Cohen talks about increasing royalties and profits (not the same thing, as you will find out if you buy the book), he doesn’t promise telephone number sized amounts of money. He talks about investing $50 dollar a month to make $100 profit, which gives a feeling of being achievable. He then talks about increasing that profit to $200, $500 and maybe $1,000. He does refer to people who have made considerably more, but he tempers that with the realism that maybe only a handful of people will ever achieve 6 digit profits – but you get a warm feeling from knowing that, by doing a bit of work, you could be in that handful. Cohen is just as realistic about how much time we have available to do the work. He knows we have day jobs, families to look after and writing careers to pursue, so he tries to optimise the amount of work we may have to do in order to make best use of the time we have available. Time management is a key message. Readers of this blog will notice that I have only given the book 4 stars and therefore I had some reservations about it. That is true, but the reservations aren’t about the lessons that Cohen teaches, they are more about the way they are presented. For a start, Cohen refers to some calculations you may want to do in order to produce some performance data. Some worked examples would be very helpful to understand what he is talking about, but they are lacking. "bombarded with a whole lot of data" There are no handy graphics, such as screen shots of Amazon Ads pages, where things can be pointed out. While I am quite good with the internet, there are features I miss on web pages and some key features aren’t always the most prominently displayed. A graphic pointing out “This is the button you need to click” and “This is where you have to alter x” would be really helpful. The other thing I had a problem with is the additional applications that you might want to use, especially those relating to generating lists of keywords (If you don’t know what a keyword is, then see above regarding the Amazon Ads webinar). One of the applications has to be purchased (about £100) and comes with its own training videos, so that’s OK (it isn’t essential and you don’t have to buy it, but it is a useful tool and we will review it next week). But the other two are plug ins for Google Chrome, which are free and come with neither a user guide nor helpful training videos. I tried using them and was bombarded with a whole lot of data which I struggled to interpret. Some guidance on how to interpret the data produced by those plug-ins (with accompanying graphics), so that I could use it in ads, would have been really useful. But don’t let those three things put you off buying this book. Firstly, with a bit of patience (again) I found the buttons I needed to click and the things I needed to adjust. And, with some trial and error, I did work out how to interpret the data produced by the plug-ins. But it took time that I hadn’t factored in and which I had to divert from other activities. "while we were doing a lot of things right, we were also doing quite a few things wrong" So, how did we get on? The first thing you need to know is that here at Selfishgenie we aren’t complete novices. We have been running Amazon Ads for many years, with mixed results. From articles I had read on various websites I found out that advertising with Amazon wasn’t a quick fix. We would need to spend more money than we had in the past and let our ads run for longer if we wanted them to be successful. So, around April 2022 (before we bought this book) we decided to commit some of our sales revenue to improving our advertising, as an investment to make more revenue in the future. And it worked. We launched an ad campaign for our Carter’s Commandos series and saw our monthly royalties increase from the low three digit level per month to a four digit level by October, which we were able to maintain. But the amount of money we were spending to get that revenue seemed to be higher than it needed to be. In terms of profit on the campaign (the net amount we made from each sale compared to the gross amount we spent), we felt sure we should be doing better. That was when I stumbled across Bryan Cohen’s book. Actually, I did a search looking for blogs about using Amazon Ads and it appeared in the search results. It didn’t take long to discover that while we were doing a lot of things right, we were also doing quite a few things wrong. In particular, our bidding strategy was wrong. We thought we could buy sales by spending more money. In fact, all we were doing was giving Amazon more money than we needed to, which was reducing the profit from the sales we did make. "give away Bryan’s secrets for free" The way Amazon’s advertising algorithms work mean that bid price is only one factor in getting our ads seen. I won’t steal Bryan Cohen’s thunder (or reduce his books sales) by telling you what the other variables in the algorithms are. (I know, but it wouldn’t be fair to give away Bryan’s secrets for free). I won’t bore you with all the details of what we did. Suffice to say that we learnt the lessons that Bryan Cohen was trying to teach us.  But what we did do was to run a trial to see how his methods compared to our own. We continued to advertise our Carter’s Commandos series the way we always had. But our Magi sci-fi series had been bumping along the bottom, making very few sales per month. So, we started a brand new ad campaign for the first book in that series and applied the newly learnt lessons to that series to see what happened. NB. When I refer to "sales" below I also mean KindleUnlimited (KENP) pages read. 1st 30 Days The good news is that we got clicks on our ads from Day 1 and we made more sales than in the previous 3 months, but they weren’t Earth shatteringly good. The campaign wasn’t profitable, meaning we spent more than we received in Royalties. We tweaked the book’s blurb (see last week’s review of “Fiction Blurbs: The Best Page Forward Way”), but there wasn’t much else we could do to stimulate more sales during that period. 2nd 30 Days Here we started to reap the benefit of “delayed results”. It is said that buyers have to see an ad an average of 7 times before they respond. This seemed to be the case as the number of clicks on our ads increased the longer the ad ran and we started to see more sales. But we also started to see sales for books we hadn’t advertised. The Magi is a 9 book series, and we were only advertising Book 1. But we started to get sales for books 2 – 9, which we hadn’t advertised. Our original ad was instrumental in developing a “fan base” for the series. These additional sales meant we were now in profit. Final 30 days I’d be lying if I told you that sales really started to take off. But they did continue even if they were unspectacular. There seems to be some sales resistance to The Magi series which we aren’t getting for other series, and we need to dig into that to see if we can work out what is causing it. The final 30 days of the trial was also during January, when money is traditionally tight for people - even avid readers of sci-fi. However, we have sold more copies of titles in The Magi series in the last 90 days than we did in the previous 9 months and the campaign is showing a profit, so overall we count it as a success. "highly recommended" So, what are the main take-aways we have from the book? 1. This isn’t a quick fix. We required patience and strong nerves to spend money without seeing a profit for several weeks. 2. If we are doing a “category ad” (advertising by genre), we needed to keep the band narrow so as not to waste money on genres that aren’t relevant and where our ad may generate a click (which we pay for) but won’t get converted into a sale. 3. We needed to use more keywords in our ads and we had to make them relevant to the genre of books we were selling. The Magi series is “space opera”, so there is no point in using keywords that relate to dystopian sci-fi. Again, they may generate clicks, but they won’t get converted into sales. 4. We needed to use the data from the ad campaigns to help reduce our costs. For example, we were getting hundreds of clicks for one keyword, generating cost, but the clicks didn’t convert to sales. Conclusion: readers who use that keyword aren’t interested in our book. So, we deleted the keyword from the list. 5. It works!  Having learnt from this experience, we have now tweaked our ad for Carter's Commandos, to take into account what we now know we can do better, which hasn't increased our sales but has reduced our costs, so we are actually keeping more of our money, which is a win, which makes us happy.
If you are an Indie author or a small publisher (like us) then “Self-Publishing With Amazon Ads” by Bryan Cohen is highly recommended. To find out more about the book, just click or tap on the cover image at the top of the blog. If you have enjoyed this blog, or found it informative, then make sure you don’t miss future editions. Just click on the button below to sign up for our newsletter. We’ll even send you a free ebook for doing so. Disclaimer: We are not connected with Bryan Cohen in any way and have no financial interest in his book. This review has not been paid for by Bryan Cohen or anyone else.   This is a review of one of two books by Bryan Cohen that we think should be read in the right order. This first one, “Fiction Blurbs: The Best Page Forward Way” is about improving your blurb writing technique so that readers feel more compelled to buy your book. The second book, “Self-Publishing With Amazon Ads” teaches you about increasing the profitability of your advertising campaigns. What links the two? One of the “tweaks” that the second book suggests to increase sales is to improve your book’s blurb. So, if that is a tip for increasing sales it seems sensible to us to try to improve our blurbs before we started spending money on advertising, so that we don’t spend money on advertising only to find out that our blurbs might need improving.  Still not quite right! It is putting the metaphorical horse in front of the cart rather than behind it. But don’t worry, we’ll be reviewing “Self-Publishing With Amazon Ads” next week, so that you can get the whole picture. Having said this book is by Bryan Cohen I must now correct myself and tell you that it is actually written by Phoebe J Ravencraft, an associate of Bryan Cohen, who works for his company, Best Page Forward. But they get joint author credits. First of all, what about the authors’ credentials for writing a book such as this? Best Page Forward has written over 5,000 book blurbs for self-published authors. Phoebe herself has written or overseen the writing of around 3,000 of those. She comes from an advertising copywriting background. They have gathered plaudits from satisfied customers and the blurbs they have created have stood the test of time to sell books. I think we can safely say that they know what they are talking about.  In one of our marketing blogs, repeated last autumn, we advised selling the sizzle, not the sausage. In other words, we recommended not trying to describe your book to the reader but trying to excite their imagination about how dramatic/entertaining/insightful/hilarious (insert other adjectives of your choice) your book is going to be. That is exactly what this book strives to do. That was good enough to convince me to buy the book. If it does that for us, the money spent on it will be repaid just by selling two extra copies of one of our books. As both an author and a publisher I have written dozens of book blurbs, so I thought I knew what I was doing. We had done plenty of research to try to find out what made a good blurb and we followed the lessons we had learnt, but there was still a nagging doubt in our minds that we might not be getting it right. Our sales suggested that there was something amiss. We were getting lots of clicks on our adverts, but they weren’t converting into as many sales as they should.  So, when I started to read this book, pennies started to drop to tell me that doing what other people were doing was the problem. What we needed to do was to be different, to make our blurbs stand out from the crowd. Readers are too easily distracted by metaphorical shiny things, so the solution to that is for our book blurbs to be the shiny thing that distracts them from other books. Chapter by chapter, Phoebe (if she’ll permit me the liberty of addressing her by her first name) lays out the elements that go into writing the “killer” book blurb that we wanted, and then how to structure the different elements to get the most out of them. It wasn’t that the blurbs we wrote were actually bad. After all, we're conforming to what we understood to be “best practice”. It was more that they could have been so much better. For the most part, they were selling the sausage, not the sizzle. They described the book, but they didn’t describe the emotional ride that was contained within the book. Emotions, it turns out, are the sizzle that sells the sausage.  I sort of knew that already, because I have always believed that books should be character led, not plot led. Readers engage with the characters at an emotional level and come to care about them and that is what keeps them turning the page, not the plot itself. And that emotional engagement, it turns out, is what has to be at the heart of the book’s blurb. There is a lot more to it than that of course. Conflict, jeopardy, structure and vocabulary all play a massive part, but without the emotion the book still won’t sell. I’m not going to ruin the book’s sales by telling you what tools and techniques are taught within its covers. You’re going to have to pay to find out, just as we did. Suffice to say that every page provides something new to learn. Even if your blurbs are already good I feel quite confident saying that you will learn something new from this book. Readers will note that I have given the book only 4 stars where, from what I have said, you might expect that it should be worth five stars. That isn’t because of the lessons that the book teaches. It is only because of the style in which those lessons are taught. "As an author and as a publisher I have limited time available" The author uses well known books and films to illustrate the lessons and there is nothing wrong with that. Many of those books and films are her personal favourites. Again, there’s nothing wrong with that. However, at times I found that the point being made was laboured and that the author was getting rather carried away with her own passions. While such enthusiasm is to be admired, it can be a little too much when the reader has already grasped the key message and only wants to move on to the next lesson. As an author and as a publisher I have limited time available, and this book took a little more time to read than was essential. Perhaps it was designed to pad the word count, so the reader thinks they’re getting value for money, but the real value isn’t in the number of words, it’s in the messages. But that is a minor criticism and I feel secure in saying that anyone buying this book will have their money repaid quite swiftly if they learn the lessons and apply them to their blurb writing.  So, what are my main takeaways from this book? The first one I sort of already knew but being reminded of it didn’t hurt. The purpose of the blurb is not to describe the book; it is to sell the book, which is an entirely different technique. According to Phoebe, you don’t even have to read the book to be able to write its blurb. Secondly, creating a good blurb isn’t easy and it requires practice and hard work. I soon discovered that when I tried to re-write the blurbs for the books we publish. What I thought would be about ten minutes work per book turned out to take considerably longer and they still aren’t perfect (though they are better). Finally, a good blurb taps into your emotions and raises the “risk” level for the protagonist so high that the reader has no choice but to buy the book to find out what happens. Get that right and the book will sell. But I’m sure you want to know if re-writing the blurbs for our books made any difference to our sales.  First of all, judge for yourself. If you go to our “Books” page we have re-written most of our blurbs.
I’m not suggesting they are perfect. In fact, I’m sure that Phoebe J Ravencraft would suggest some improvements if she were to read them. But they are different to our previous style. Just ask yourself one simple question – having read any of those, do you feel tempted to buy the book? More importantly, has our conversion rate for sales improved? We actually got an instant return for one book. The day we changed the blurb it got its first sale in months. Coincidence? Possibly, but we think it may have been the new blurb. Then a second book got its first sale in months, followed by a third. Too many for coincidence; this was a trend. I’m not going to pretend any of those books went from non-seller to best-seller overnight as a result of the tweaks we made - but “Fiction Blurbs: The Best Book Forward Way” paid for itself within a week and is still paying for itself in terms of sales. I highly recommend “Fiction Blurbs The Best Book Forward Way” by Bryan Cohen and Phoebe J Ravencraft. To find out more about the book, click here. Next week we’ll be reviewing another book which could help you to sell a lot more of your own books, so be sure not to miss our blog. In fact, why not sign up to our newsletter to make sure you don’t miss it. We’ll even send you a free ebook if you do. Just click the button below. |
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